Sonnets for Michelangelo

Regular price €92.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Vittoria Colonna
Author_Vittoria Colonna
authorship
bilingual
Category=DCF
celebrity
chastity
cultural production
eq_bestseller
eq_biography-true-stories
eq_isMigrated=0
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
europe
fame
female authors
femininity
feminism
form
friendship
gender
innovation
italy
literati
literature
michelangelo buonarroti
petrarchan sonnets
piety
poetry
public sphere
renaissance
social norms
translation
verse
virtue
vittoria colonna
women writers

Product details

  • ISBN 9780226113913
  • Weight: 425g
  • Dimensions: 15 x 24mm
  • Publication Date: 15 Jun 2005
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
The most published and lauded woman writer of early sixteenth-century Italy, Vittoria Colonna (1490-1547) in effect defined what was the "acceptable" face of female authorship for her time. Hailed by the generation's leading male literati as an equal, she was praised both for her impeccable command of Petrarchan style and for the unimpeachable chastity and piety of the persona she promoted through her literary works. This book presents for the very first time a body of Colonna's verse that reveals much about her poetic aims and outlook, while also casting new light on one of the most famous friendships of the age, Sonnets for Michelangelo, originally presented in manuscript form to her close friend. Michelangelo Buonarroti as a personal gift, illustrates the striking beauty and originality of Colonna's mature lyric voice and distinguishes her as a poetic innovator who would be widely imitated by female writers in Italy and Europe in the sixteenth century. After three centuries of relative negleet, this new edition promises to restore Colonna to her rightful place at the forefront of female cultural production in the Renaissance.

More from this author