Sordid Image

Regular price €108.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Agustin Zarzosa
abject
abjection
amour fou
Andre Breton
Arturo Ripstein
auteur cinema
Author_Agustin Zarzosa
Category=ATFA
Category=ATFB
Category=QDTN
cinema of poetry
classism
color in motion pictures
comedia ranchera
Deep Crimson
degradation
Devil Between the Legs
dirt
disidentification
distance in motion pictures
El diablo entre las piernas
El imperio de la fortuna
Emile Zola
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
esperpento
film auteur
film authorship
film criticism
folklore in motion pictures
free indirect subjectivity
Gabriel Figueroa
gift exchange
grotesque
insults
Jorge Ayala Blanco
Juan Rulfo
La mujer del puerto
Las Hurdes
Los olvidados
Love Lives
Luis Bunuel
mad love
melodrama
melodramatic imagination
Mentiras piadosas
Mexican cinema
mexicanness
Mexico
mirrors in motion pictures
misogyny
money
Naguib Mahfouz
naturalism
Nazarin
nota roja
obesity in motion pictures
obscenity
offensiveness
Paz Alicia Garciadiego
pleasure
pornomiseria
poverty
Principio y fin
Profundo carmesi
provocation
pudeur
sexism
smell in motion pictures
sordid
sordid imagery
space in motion pictures
speculation
surrealism
The Beginning and the End
The Realm of Fortune
transnational adaptation
transnational remake
tremendismo
true crime
value
Woman of the Port

Product details

  • ISBN 9798899480133
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 16 Mar 2026
  • Publisher: Northwestern University Press
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns
Drawing on the cinematic oeuvre of Ripstein and Garciadiego to reconceptualize the idea of the sordid

The sordid is not an ideology, an affect, or even a form of taste or sensibility. It is, Agustín Zarzosa argues, an image and an evocation of the process of degradation. The Sordid Image: The Naturalist Cinema of Arturo Ripstein and Paz Alicia Garciadiego offers the first sustained study of this pivotal filmmaker-screenwriter pair, drawing on their multidecade collaborations to reframe an enduring problem of film theory: how to represent marginalized people.

Together, Ripstein and Garciadiego have constructed a recognizable cinematic world filled with social outcasts, characterized by self-degradation and unreason, and set within squalid environments. Inscribing the Ripsteinian universe within the literary and cinematic traditions of naturalism, this book theorizes the notion of the sordid to examine the partners' unique and epoch-defining films. We can, Zarzosa contends, understand the sordid as a cinematic image, with its specific components and pleasures, recasting questions of authorship, mise-en-scène, spectatorship, genre, and language.

Agustin Zarzosa is an associate professor of cinema studies at Purchase College. He is the author of Refiguring Melodrama in Film and Television: Captive Affects, Elastic Sufferings, Vicarious Objects.

More from this author