Soul Says

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a. r. ammons
A01=Helen Vendler
adrienne rich
american poetry
ashbery
Author_Helen Vendler
Category=DSBH
Category=DSC
dave smith
donald davie
elegy
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
form
henri cole
jorie graham
lyric
merrill
metaphor
metaphysics
modernity
new yorker
rhythm
schuyler
snyder
structure
style
tone
wallace stevens

Product details

  • ISBN 9780674821477
  • Weight: 408g
  • Dimensions: 156 x 235mm
  • Publication Date: 01 Oct 1996
  • Publisher: Harvard University Press
  • Publication City/Country: US
  • Product Form: Paperback
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“Vendler again demonstrates—if proof were needed—why she is the finest poetry reviewer in the country.”
Boston Globe

The renowned critic of Stevens, Keats, and Herbert turns an incisive gaze to her contemporaries, from Louise Glück to Rita Dove.

Lyric poetry, says the incomparable Helen Vendler, is defined by immediacy. If the novel aspires to represent life in all its complexity, with characters woven into their manifold historical and sociological contexts, lyric captures the human being in the here and now: as a fragment, an eruption, or a “set of warring passions independent of time and space.” Fiction constructs selfhood, but poetry gives us the soul.

Drawing its title from a poem by Jorie Graham, Soul Says collects twenty-one of Vendler’s best essays on the force, beauty, and formal intricacies of late-twentieth-century verse. Whether meditating on Graham’s roving cinematography of the mind, anatomizing the inversions of classical elegy in Allen Ginsberg’s “Kaddish,” or exploring Charles Simic’s sinister landscapes, Vendler makes difficult poetry accessible and helps readers appreciate the depth and richness of even the simplest texts. Through her perceptive eyes we see how lyric poetry, pulsing with musicality, uses arrangement, pacing, and metaphor to illuminate the hidden corners of inner life.

Inner life cannot be entirely disentangled from the history: Rita Dove cannot write as if she were unencumbered by her life as a Black woman in America any more than Seamus Heaney can avoid his experience as a Northern Irishman who lived through the Troubles. But Vendler’s painstaking attention to form—Dove’s angular stanzas, Heaney’s organicism—brilliantly reveals how such great poets exceed the sum of their biographical parts. To read their poetry is to see their lives transfigured, and, in the process, to reconsider our own.

Helen Vendler (1933–2024) was a leading poetry critic and the author of nineteen books on poets from William Shakespeare to Seamus Heaney. A winner of the National Book Critics Circle Award for Criticism, she contributed regularly to the New Yorker, the New York Review of Books, the New York Times Book Review, London Review of Books, and the New Republic. She was the Arthur Kingsley Porter University Professor at Harvard University.

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