Soul Sounds

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A01=Daylanne English
Afro-Optimism
Afrofuturism
Afropessimism
Afterlife
Author_Daylanne English
Category=AVLP
Category=DS
Category=JBSL
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
hip hop
poetry
slave narratives
sound studies
Spiritualism
spirituals

Product details

  • ISBN 9781531515119
  • Dimensions: 152 x 229mm
  • Publication Date: 03 Nov 2026
  • Publisher: Fordham University Press
  • Publication City/Country: US
  • Product Form: Hardback
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A timely, accessible, and empowering analysis of the afterlife, offering an important corrective to assaults on Black life, art, and culture

Despite its recurrent representation, a literal afterlife has been surprisingly neglected in Black literary and music studies. Soul Sounds addresses this gap[DKE1] by locating in spiritualist narratives, narratives by the formerly enslaved, contemporary Black poetry, and hip hop music an afterlife that is once futuristic, eternal, and temporally proximate and therefore offers us continuous access to other, possibly better, times. Combining literary studies, sound studies, time studies, Black Feminist Theory, and religious studies, it is the first book to identify and theorize an "agential afterlife" in African American literature and music from the mid-19th century to the present.

Considering works by Paschal Beverly Randolph, Harriet Jacobs, Ross Gay, Danez Smith, Janelle Monáe, and Kendrick Lamar, among others, Daylanne K. English demonstrates how their content and form construct that transtemporal, agential afterlife. Her close readings of texts such as Incidents in the Life of a Slave Girl, Don’t Call Us Dead, and "United in Grief" reveals a sociality of form that corresponds to real-life sociality, with the afterlife, too, working as a social form and as a partner to the arts.

Soul Sounds shows how these artists contribute to a longstanding tradition of nonlinear time that, in itself, aids collective creating and imaginative rebuilding. English thereby calls into question dominant current uses of the afterlife as purely metaphoric, as in Saidiya Hartman’s influential concept of the "afterlives of slavery." Although this book challenges the Afropessimism of Hartman and others, it does not then dismiss it, instead bringing Afropessimism together with Afro-Optimism.

Grounded in the urgency of the now, Soul Sounds advocates for the power of a critical and creative afterlife to sustain literary and scholarly traditions, shape current scholarship, and support contemporary activisms.

Daylanne K. English is Professor of English at Macalester College in St. Paul, MN. She is the author of Unnatural Selections: Eugenics in American Modernism and the Harlem Renaissance and Each Hour Redeem: Time and Justice in African American Literature.

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