Sound and Image

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aesthetic
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art
audio
audiovisual
Audiovisual Composition
Audiovisual Environment
Audiovisual Experience
Audiovisual Object
Audiovisual Performance
audiovisual practice methodologies
Audiovisual Work
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cinematic
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composition
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dance
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electroacoustic
electroacoustic composition
Electroacoustic Music
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experimental film analysis
Gestural Surrogacy
Iannis Xenakis
Image
interdisciplinary performance studies
Jim Jarmusch
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media
media art theory
Motion Score
multi-screen cinegraphy
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Nelder Mead Method
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Oskar Fischinger
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performance
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rhythm
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sonic art research
Sonic Materials
sound
sound design
space
spaciality
spatial audio techniques
Vice Versa
video
videomusical
visual
Visual Music

Product details

  • ISBN 9780367271466
  • Weight: 800g
  • Dimensions: 191 x 235mm
  • Publication Date: 10 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Sound and Image: Aesthetics and Practices brings together international artist scholars to explore diverse sound and image practices, applying critical perspectives to interrogate and evaluate both the aesthetics and practices that underpin the audiovisual.

Contributions draw upon established discourses in electroacoustic music, media art history, film studies, critical theory and dance; framing and critiquing these arguments within the context of diverse audiovisual practices. The volume’s interdisciplinary perspective contributes to the rich and evolving dialogue surrounding the audiovisual, demonstrating the value and significance of practice-informed theory, and theory derived from practice. The ideas and approaches explored within this book will find application in a wide range of contexts across the whole scope of audiovisuality, from visual music and experimental film, to narrative film and documentary, to live performance, sound design and into sonic art and electroacoustic music.

This book is ideal for artists, composers and researchers investigating theoretical positions and compositional practices which bring together sound and image.

Andrew Knight-Hill is a composer specialising in studio composed works, both sound-based electroacoustic and audiovisual. He is Senior Lecturer in Sound Design and Music Technology at the University of Greenwich, programme leader of Sound Design BA, director of the Loudspeaker Orchestra Concert Series and convenor of the annual SOUND/IMAGE conference.