Sound Authorities

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1800s
19th
A01=Edward J. Gillin
academic
acoustics
Age Group_Uncategorized
Age Group_Uncategorized
aurality
Author_Edward J. Gillin
automatic-update
british
Category1=Non-Fiction
Category=AV
century
COP=United States
Delivery_Delivery within 10-20 working days
england
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
era
faith
harmonious
harmony
historical
history
industrial
inquiry
intelligence
interdisciplinary
laboratory
Language_English
music
natural
order
PA=Available
period
Price_€50 to €100
PS=Active
religion
research
scholarly
science
sciences
scientist
showroom
softlaunch
sonic
sounds
study
theoretical
united kingdom
universe
workshop

Product details

  • ISBN 9780226787770
  • Weight: 567g
  • Dimensions: 152 x 229mm
  • Publication Date: 11 Feb 2022
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Sound Authorities shows how experiences of music and sound played a crucial role in nineteenth-century scientific inquiry in Britain.

In Sound Authorities, Edward J. Gillin focuses on hearing and aurality in Victorian Britain, claiming that the development of the natural sciences in this era cannot be understood without attending to the study of sound and music.

During this time, scientific practitioners attempted to fashion themselves as authorities on sonorous phenomena, coming into conflict with traditional musical elites as well as religious bodies. Gillin pays attention to sound in both musical and nonmusical contexts, specifically the cacophony of British industrialization. Sound Authorities begins with the place of acoustics in early nineteenth-century London, examining scientific exhibitions, lectures, spectacles, workshops, laboratories, and showrooms. He goes on to explore how mathematicians mobilized sound in their understanding of natural laws and their vision of a harmonious ordered universe. In closing, Gillin delves into the era’s religious and metaphysical debates over the place of music (and humanity) in nature, the relationship between music and the divine, and the tensions between spiritualist understandings of sound and scientific ones.

Edward J. Gillin is a Leverhulme Early Career Fellow at the University of Leeds. He is the author of The Palace of Science: Scientific Knowledge and the Building of the Victorian Houses of Parliament and Entente Imperial: British and French Power in the Age of Empire. He is coeditor, with H. Horatio Joyce, of Experiencing Architecture in the Nineteenth Century: Buildings and Society in the Modern Age.

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