Sound Experiments

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A01=Paul Steinbeck
Age Group_Uncategorized
Age Group_Uncategorized
Association for the Advancement of Creative Musicians
Author_Paul Steinbeck
automatic-update
Category1=Non-Fiction
Category=AVGJ
Category=AVLP
Category=JBSL
Category=JFSL
composition
conducting
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
experimental music
form
improvisation
instrumentation
jazz
Language_English
notation
PA=Available
Price_€20 to €50
PS=Active
softlaunch
technology

Product details

  • ISBN 9780226820095
  • Dimensions: 152 x 229mm
  • Publication Date: 03 Aug 2022
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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A groundbreaking study of the trailblazing music of Chicago's AACM, a leader in the world of jazz and experimental music. Founded on Chicago's South Side in 1965 and still thriving today, the Association for the Advancement of Creative Musicians (AACM) is the most influential collective organization in jazz and experimental music. In Sound Experiments, Paul Steinbeck offers an in-depth historical and musical investigation of the collective, analyzing individual performances and formal innovations in captivating detail. He pays particular attention to compositions by Muhal Richard Abrams and Roscoe Mitchell, the Association's leading figures, as well as Anthony Braxton, George Lewis (and his famous computer-music experiment, Voyager), Wadada Leo Smith, and Henry Threadgill, along with younger AACM members such as Mike Reed, Tomeka Reid, and Nicole Mitchell. Sound Experiments represents a sonic history, spanning six decades, that affords insight not only into the individuals who created this music but also into an astonishing collective aesthetic. This aesthetic was uniquely grounded in nurturing communal ties across generations, as well as a commitment to experimentalism. The AACM's compositions broke down the barriers between jazz and experimental music and made essential contributions to African American expression more broadly. Steinbeck shows how the creators of these extraordinary pieces pioneered novel approaches to instrumentation, notation, conducting, musical form, and technology, creating new soundscapes in contemporary music.
Paul Steinbeck is associate professor of music at Washington University in St. Louis. He is the author of Message to Our Folks: The Art Ensemble of Chicago and coauthor of Exercises for the Creative Musician.

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