Sound for Moving Pictures

Regular price €179.80
A01=Neil Hillman
Abstract Sound
ADR
advanced soundtrack construction methods
Age Group_Uncategorized
Age Group_Uncategorized
Audience engagement
Audio Post-production
auditory perception in cinema
Author_Neil Hillman
automatic-update
Category1=Non-Fiction
Category=AP
Category=ATF
Category=ATJ
Category=AVG
Category=AVL
Category=UYU
cinematic audio theory
COP=United Kingdom
Delivery_Pre-order
Dense
Dolby Atmos
emotional impact of audio
English Premier League
eq_art-fashion-photography
eq_bestseller
eq_computing
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
film sound analysis
Film studies
Home Theatre
Jack's Narration
Jack’s Narration
Language_English
Mix Disc
Mix Wheel
Mixing Notes
Moving pictures
Narrative Area
Narrative Sound
PA=Temporarily unavailable
Picture Editors
postproduction workflow
Practice Based Research
Price_€100 and above
PS=Active
Re-recording Mixer
screenwriting sound techniques
softlaunch
Sound Areas
Sound Design
Sound design theory
Soundtrack analysis
Spotting Session
Supervising Sound Editor
Surround Channels
Temporal Music
Temporal Sound
UK Broadcaster
Winter Light

Product details

  • ISBN 9780367517793
  • Weight: 700g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Apr 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Sound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing and communicating all types of motion picture soundtracks; and a way for academics and practitioners to better understand and utilize the deeper, emotive capabilities available to all filmmakers through the thoughtful use of sound design.

The Four Sound Areas framework presents a novel approach to sound design that enables the reader to more fully appreciate audience emotions and audience engagement, and provides a flexible, practical model that will allow professionals to more easily create and communicate soundtracks with greater emotional significance and meaning.

Of obvious benefit to sound specialists, as well as motion picture professionals such as film producers, directors and picture editors, Sound for Moving Pictures also provides valuable insight for others interested in the subject; such as those involved with teaching soundtrack analysis, or those researching the wider topics of film studies and screen writing.

Supplementary materials can be found on the companion website: www.soundformovingpictures.com

Neil Hillman, PhD, is a highly experienced sound designer, production sound mixer and scholar who contributes to both multi-million budgeted feature films and crowd-funded indie movies. His PhD investigated emotion within sound design and considered enhanced audience engagement through the thoughtful use of the soundtrack.