Sound in Indian Film and Audiovisual Media

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A01=Budhaditya Chattopadhyay
asian studies
auditory culture studies
Author_Budhaditya Chattopadhyay
Category=AB
Category=GTM
cinematic soundscapes
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
film
film history
indian cinema
Indian film sound production practices
media and communication
media technology history
oral tradition listening
qualitative sound analysis
sound studies
South Asian cinema research

Product details

  • ISBN 9781041186397
  • Weight: 470g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book is the first ever systematic attempt to study film sound in the Indian subcontinent by artistic research. The book aims to fill the scholarly void on the issues of sound and listening in the Global Souths’ cultures. It develops a comprehensive understanding of the unique sound world of Indian film and audiovisual media through the examination of historical developments of sound from early optical recordings to contemporary digital audio technologies. The book is enriched with a practice-based methodology informed by the author’s own practice and based on extensive conversations with leading sound practitioners in the Indian subcontinent. The book locates an emerging social and spatial awareness in Indian film and media production aided by a creative practice of sound, occurring alongside the traditionally transcendental, oral, and pluriversal approach to listening. By tracing this confluence of tradition and modernity, the book makes valuable contributions to the fields of film history, sound, and media studies.

Budhaditya Chattopadhyay is an artist, researcher, and writer. He is the author of four books: The Nomadic Listener (2020), The Auditory Setting (2021), Between the Headphones (2021), and Sound Practices in the Global South (2022). Chattopadhyay is a Visiting Professor at the Critical Media Lab, Basel.

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