Sound of the English Picturesque

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A01=Stephen Groves
aesthetics
Author_Stephen Groves
British cultural history
Category=AB
Category=AGA
Category=AVLA
countryside
eighteenth century
eighteenth-century aesthetics
English
English countryside musical interpretation
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
glee music tradition
interdisciplinary musicology
landscape representation in art
paintings
Picturesque
secular song analysis
vocal music

Product details

  • ISBN 9781032275796
  • Weight: 400g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Jul 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Revealing the connections between the veneration of national landscape and eighteenth-century English vocal music, this study restores English music’s relationship with the picturesque. In the eighteenth century, the emerging taste for the picturesque was central to British aesthetics, as poets and painters gained popularity by glorifying the local landscape in works concurrent with the emergence of native countryside tourism. Yet English music was seldom discussed as a medium for conveying national scenic beauty. Stephen Groves explores this gap, and shows how secular song, the glee, and national theatre music expressed a uniquely English engagement with landscape.

Using an interdisciplinary approach, Groves addresses the apparent ‘silence’ of the English picturesque. The book draws on analysis of the visualisations present in the texts of English vocal music, and their musical treatment, to demonstrate how local composers incorporated celebrations of landscape into their works. The final chapter shows that the English picturesque was a crucial influence on Joseph Haydn’s oratorio The Seasons. Suitable for anyone with an interest in eighteenth-century music, aesthetics, and the natural environment, this book will appeal to a wide range of specialists and non-specialists alike.

Stephen Groves completed his PhD at Southampton University in 2012. He previously held posts as Teacher of Academic Music and Head of Strings at Merchant Taylors’ School, and Director of Music at Watford Grammar School for Girls. He is currently editor of www.greatbritishwine.com.

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