Sound State of Uzbekistan

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A01=Kerstin Klenke
Andijon Events
Author_Kerstin Klenke
authoritarian cultural policy
Category=AVLP
Category=JP
Central Asian studies
De Kloet
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Estrada Administration
Governorate General Turkestan
Independence Day
Independent Uzbekistan
Islom Karimov
Jeroen De Kloet
Monophonic Music
music censorship research
Music Competitions
Music Dance Art
Music Policies
Musical Incarnation
Patriotic Content
Pop Stars
post-Soviet musicology
Rating Group IV
Russian
Russian SFSR
socialism
socialist popular genres
Soviet society
state-controlled arts
Turkestan ASSR
Tv Play
Tv Station
Uzbek estrada
Uzbek estrada political influence
Uzbek Government
Uzbek SSR
Uzbekistan
Viktor Tsoi
Wider Issues

Product details

  • ISBN 9781032241265
  • Weight: 480g
  • Dimensions: 156 x 234mm
  • Publication Date: 13 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era is a pioneering study of the intersection between popular music and state politics in Central Asia. Based on 20 months of fieldwork and archival research in Tashkent, this book explores a remarkable era in Uzbekistan’s politics (2001–2016), when the Uzbek government promoted a rather unlikely candidate to the prominent position of state sound: estrada, a genre of popular music and a musical relic of socialism. The political importance it attached to estrada was matched by the establishment of an elaborate bureaucratic apparatus for state oversight.

The Sound State of Uzbekistan shows the continuing legacy of Soviet concepts to frame the nexus between music, artists and the state, and explains the extraordinary potency ascribed to estrada. At the same time, it challenges classical readings of transition and also questions common binary models for researching culture in totalitarian or authoritarian states. Proposing to approach lives in music under authoritarianism as a form of normality instead, the author promotes a post-Cold War paradigm in music studies.

Kerstin Klenke is an ethnomusicologist and head of the Phonogram Archive at the Austrian Academy of Sciences in Vienna.

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