Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music
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A01=Nick Nesbitt
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abstract
Author_Nick Nesbitt
Bacon's Art
Bacon’s Art
Berio's Music
Berio’s Music
Blue Train
Category=AVA
Chopin
Deleuze's Writings
Deleuze’s Writings
Deleuzian analysis of music theory
deterritorialization
Edges Phase
Edgy Sounds
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guattaris
Holy Men
Luciano Berio
machine
Machinic Assemblage
Majoritarian Position
Miles Davis Quintet
mille
Mille Plateaux
Minor Literature
minor science
Musica Mundana
Musical Expression
musical metaphysics
nesbitt
nick
Nomadic Music
Nomadic Tradition
nomadology
particle
Perfect Sound Forever
philosophy of difference
plateaux
Played Back
space
Spinozist aesthetics
striated
Super Ordination
Urban Bush Women
Vice Versa
Young Man
Product details
- ISBN 9781138272118
- Weight: 580g
- Dimensions: 156 x 234mm
- Publication Date: 26 Oct 2016
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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It is the contention of the editors and contributors of this volume that the work carried out by Gilles Deleuze, where rigorously applied, has the potential to cut through much of the intellectual sedimentation that has settled in the fields of music studies. Deleuze is a vigorous critic of the Western intellectual tradition, calling for a 'philosophy of difference', and, despite its ambitions, he is convinced that Western philosophy fails to truly grasp (or think) difference as such. It is argued that longstanding methods of conceptualizing music are vulnerable to Deleuze's critique. But, as Deleuze himself stresses, more important than merely critiquing established paradigms is developing ways to overcome them, and by using Deleuze's own concepts this collection aims to explore that possibility.
Brian Hulse, College of William and Mary, USA and Nick Nesbitt, Princeton University, USA
