Soundtracked Books from the Acoustic Era to the Digital Age

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A01=Justin St. Clair
American Folk Music
Audio Fidelity
Author_Justin St. Clair
Battlefield Earth
book history
books and music
books that sing
Category=DSB
Category=DSY
Category=GTC
Category=JBCC
Category=JBCT
Category=KNTP2
Category=NH
Cd Rom Technology
Cd Soundtrack
Concerted Effort
Daisy Bell
Danielewski's House
Danielewski’s House
E-book Platforms
E-book Sales
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnographic audio archives
Fairlight Computer Musical Instrument
IBM Mainframe
interdisciplinary study of soundtracked literature
Irish Uprising
Legacy Collection
literary sound studies
Mark Twain Books
media archaeology
media consumption
media history
media studies
Mormon Pioneers
Mother Goose
multimodal reading practices
musical artefacts
Palacio De Bellas Artes
paratextual analysis
Perfect English
Piper's Son
Piper’s Son
print and audio integration
Smart Phone
Sound Reproduction Technologies
sound studies
Space Jazz
Spotify Playlists
Young Man

Product details

  • ISBN 9781032101699
  • Weight: 500g
  • Dimensions: 156 x 234mm
  • Publication Date: 16 Jun 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Offering both a short history and a theoretical framework, this book is the first extended study of the soundtracked book as a media form. A soundtracked book is a print or digital publication for which a recorded, musical complement has been produced. Early examples were primarily developed for the children's market, but by the middle of the twentieth century, ethnographers had begun producing book-and-record combinations that used print to contextualize musical artifacts. The last half-century has witnessed the rapid expansion of the adult market, including soundtracked novels from celebrated writers such as Ursula K. Le Guin, Kathy Acker, and Mark Z. Danielewski. While often dismissed as gimmicks, this volume argues that soundtracked books represent an interesting case study in media consumption. Unlike synchronous multimedia forms, the vast majority of soundtracked books require that audience activity be split between reading and listening, thus defining the user experience and often shaping the content of singing books as well.

Mapping the form's material evolution, this book charts a previously unconsidered pathway through more than a century of recording formats and packaging strategies, emphasizing the synergies and symbioses that characterize the marriage of sound and print. As such, it will be of value to scholars and postgraduate students working in media studies, literary studies, and sound studies.

Justin St. Clair is an Associate Professor of English at the University of South Alabama, where he specializes in postmodern and contemporary fiction with an emphasis on sound studies. He is the author of Sound and Aural Media in Postmodern Literature: Novel Listening (2013).

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