A01=Chris Spring
A01=John Giblin
African Art
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Author_Chris Spring
Author_John Giblin
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Category=AC
Category=AGA
COP=United Kingdom
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Language_English
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Survey
The British Museum
Product details
- ISBN 9780500519066
- Weight: 1370g
- Dimensions: 220 x 250mm
- Publication Date: 27 Oct 2016
- Publisher: Thames & Hudson Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
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South Africa has an established, vibrant and highly politicized contemporary art scene that is often in dialogue with the deep and recent past.
South African Art explores this relationship between past and present, showing contemporary and historic art objects from the earliest human artistic tendencies three million years ago to 20th-century apartheid Resistance Art and the art of post-apartheid transformation. South African Art begins with the first artistic stirrings of our earliest ancestors and the first African kingdoms through to the creation of 3D figurative art and specialised artisans. It then considers the influence of Dutch, British, Malay, Chinese and Indian settlers from the 16th century onwards and the ensuing conflicts, followed by a focus on the British colonial period and the European obsession with the exotic and the objectification of African bodies. A chapter on segregation after the Union of South Africa in 1910 and Resistance Art during the apartheid era of c.1970 to 1989 is followed by a final section looking at South Africa’s transformation from an apartheid state to the ‘Rainbow Nation’, and the country’s current artistic optimism.
South African Art explores this relationship between past and present, showing contemporary and historic art objects from the earliest human artistic tendencies three million years ago to 20th-century apartheid Resistance Art and the art of post-apartheid transformation. South African Art begins with the first artistic stirrings of our earliest ancestors and the first African kingdoms through to the creation of 3D figurative art and specialised artisans. It then considers the influence of Dutch, British, Malay, Chinese and Indian settlers from the 16th century onwards and the ensuing conflicts, followed by a focus on the British colonial period and the European obsession with the exotic and the objectification of African bodies. A chapter on segregation after the Union of South Africa in 1910 and Resistance Art during the apartheid era of c.1970 to 1989 is followed by a final section looking at South Africa’s transformation from an apartheid state to the ‘Rainbow Nation’, and the country’s current artistic optimism.
John Giblin is Head of the African collection at the British Museum. Chris Spring is curator of the contemporary African art and the eastern and southern African
collection at the British Museum.
