South African performance and archives of memory

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A01=Yvette Hutchison
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Author_Yvette Hutchison
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Category1=Non-Fiction
Category=DSG
COP=United Kingdom
cultural identities
cultural practitioners
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eq_biography-true-stories
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eq_nobargain
eq_non-fiction
Language_English
Mbeki
memory
national identities
PA=Available
political crisis
post-apartheid South Africa
Price_€20 to €50
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social structure
softlaunch
South Africa-Mali project
South African performance
state sanctioned-performances
theatrical engagements
Truth and Reconciliation Commission archive
verbatim narratives

Product details

  • ISBN 9781784993665
  • Weight: 299g
  • Dimensions: 138 x 216mm
  • Publication Date: 18 May 2016
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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This book explores how South Africa is negotiating its past in and through various modes of performance in contemporary theatre, public events and memorial spaces. It analyses the Truth and Reconciliation Commission as a live event, as an archive, and in various theatrical engagements with it, asking throughout how the TRC has affected the definition of identity and memory in contemporary South Africa, including disavowed memories.

Hutchison then considers how the SA-Mali Timbuktu Manuscript Project and the 2010 South African World Cup opening ceremony attempted to restage the nation in their own ways. She investigates how the Voortrekker Monument and Freedom Park embody issues related to memory in contemporary South Africa. She also analyses current renegotiations of popular repertoires, particularly songs and dances related to the Struggle, revivals of classic European and South African protest plays, new history plays and specific racial and ethnic histories and identities.

Yvette Hutchison is Associate Professor in the School of Theatre, Performance and Cultural Policy Studies at the University of Warwick, UK

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