South and East Asian Cinemas Across Borders

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Amitabh Bachchan
Asian film industries
Asian Horror Cinema
Box Office Market
Box Office Mojo
Category=ATF
Category=JBCT
Chinese Films
cinematic border studies
co-production policy Asia
Co-production Status
Contemporary Film Festivals
cross-cultural film studies
Documentary Film Festivals
documentary film festivals India
Dubai International Financial Centre
Dubai Shopping Festival
East Asian Cinema
East Asian Martial Arts
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Film Co-production
Hindi Films
Hiralal Sen
Indian Popular Films
inter-Asian cinema collaboration research
Korean Cinema
Martial Arts
Martial Arts Films
Martial Arts Style
Soft Power
subaltern urban narratives
Subaltern Urbanism
Transnational Cinema
Transnational Cinema Studies
Young Man

Product details

  • ISBN 9780367693732
  • Weight: 320g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Nov 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This edited volume focuses on South and East Asian cinema, exploring transnational connections between these film industries from the point of view of narratives, topics and themes, as well as in terms of co-productions. At a time of resurgent nationalisms and increasing fortifications of (actual and symbolic) borders, the chapters in this book explore cinematic work that challenge these boundaries and promote a reflection on the social, cultural, political and economic value of international exchanges and collaborations within the context of Asia.

Indeed, notwithstanding the aforementioned tendency to implement border policing and the revival of nationalist sentiments, South and East Asian cinemas retain a strong transnational character, as not only genres and themes are borrowed and exchanged across borders, but also the popularity of the Indian, Chinese and Korean film industries extend well beyond their national borders – within Asia as well as in the West.

The chapters in this book were originally published as a special issue of Transnational Screens.

Clelia Clini is Research Associate at the Institute for Media and Creative Industries in Loughborough University, UK.

Rohit K. Dasgupta is Senior Lecturer in Cultural Industries at the School of Culture and Creative Arts in the University of Glasgow, UK.

Yanling Yang is Lecturer in Languages and Communications at the College of Humanities in the University of Exeter, UK.