Southern Beauty

Regular price €168.58
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
#metoo
A01=Elizabeth Bronwyn Boyd
Alabama
Author_Elizabeth Bronwyn Boyd
Belle
Blackface
BLM
Campus
Category=JBFA
Category=JBSF1
Category=JBSL1
Category=NHK
Category=WQH
College
Confederate
Contest
Contestant
Debutante
Desegregation
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Etiquette
Feminine
Femininity
Gender
Georgia
Greek
Historical drama
Hoop skirt
Jim Crow
Lady
Louisiana
May Day
Miss America
Mississippi
Natchez
Natchez Garden Club
Nostalgia
Old South
Ole Miss
Pageant
Performance
Performativity
Pilgrimage
Pilgrimage Garden Club
Prescription
Privilege
Production
Queen
Racism
Racist
Remembrance
Repertoire
Rush
Segregation
Sorority
Tableaux
Tourism
Tourist
Tradition
University
White
White supremacy
Whiteness
Womanhood

Product details

  • ISBN 9780820362311
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Aug 2022
  • Publisher: University of Georgia Press
  • Publication City/Country: US
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Southern Beauty explains a curiosity: why a feminine ideal rooted in the nineteenth century continues to enjoy currency well into the twenty-first. Elizabeth Bronwyn Boyd examines how the continuation of certain gender rituals in the American South has served to perpetuate racism, sexism, and classism.

In a trio of popular gender rituals—sorority rush, beauty pageants, and the Confederate Pageant of the Natchez (Mississippi) Pilgrimage—young white southern women have readily ditched contemporary modes of dress and comportment for performances of purity, gentility, and deference. Clearly, the ability to “do” white southern womanhood, convincingly and on cue, has remained a valued performance. But why?

Based on ethnographic research and more than sixty taped interviews, Southern Beauty goes behind the scenes of the three rituals to explore the motivations and rewards associated with participation. The picture that Boyd paints is not pretty: it is one of southern beauties securing status and sustaining segregation by making nostalgic gestures to the southern past. Boyd also maintains that the audiences for these rituals and pageants have been complicit, unwilling to acknowledge the beauties’ racial work or their investment in it.

With its focus on performance, Southern Beauty moves beyond representations to show how femininity in motion—stylized and predictable but ephemeral—has succeeded as an enduring emblem, where other symbols faltered, by failing to draw scrutiny. Continuing to make the moves of region and race even as many Confederate symbols have been retired, the southern beauty has persisted, maintaining power and privilege through consistent performance.

ELIZABETH BRONWYN BOYD is an interdisciplinary scholar whose experience growing up in Jackson, Mississippi, during the civil rights movement and its aftermath inspired her to study, teach, and write about the American South. She has served on the faculties of Vanderbilt University, the University of Mississippi, and the University of Illinois at Urbana-Champaign. She lives in Takoma Park, Maryland.

More from this author