Soviet Cinematography, 1918-1991

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Alexander Nevskii
Andrei Rublev
Andrei Tarkovskii
anti-Semitic
Anticosmopolitan Campaign
Category=ATF
Category=JPV
Category=KNTC
cultural policy USSR
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
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eq_nobargain
eq_non-fiction
eq_society-politics
film censorship
Follow
Good Life
Gorbachev
historical film studies
Iskusstvo Kino
Kira Muratova
Komsomolskaia Pravda
Literaturnaia Gazeta
Main Character
media and ideology
Moskovskie Novosti
Nep
Nep Period
Nezavisimaia Gazeta
Omnipresent
Postwar
propaganda analysis
socialist realism
Soviet Cinematography
Soviet film industry state control
Soviet Filmmakers
Soviet Movie Industry
Soviet Movies
Vadim Abdrashitov
Young Men

Product details

  • ISBN 9780202304625
  • Weight: 430g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 Dec 1993
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Paperback
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With a historical sweep that recent events have made definitive, the authors examine the influence of Soviet ideology on the presentation of social reality in films produced in the Soviet Union between the October Revolution and the final days of glasnost. Within the framework of an introduction that lays out the conceptual terminology used to describe that shifting ideological landscape, the authors analyze both the social groups appearing in the films and the relations of film directors and other film makers to state censorship and ideological control.

Dmitry Shlapentokh, Professor of History, Indiana University, South Bend, received his Ph.D. from the University of Chicago, and his Master's degrees in History from Moscow University and Michigan State University. The author of several articles on various issues in modem Russian history, Dr. Shlapentokh is also a writer of short stories and poetry in Russian. Vladimir Shlapentokh, Professor of Sociology, Michigan State University. He is the author of numerous books, professional articles, and newspaper columns on Soviet issues.