A01=Arseniy Kotov
A01=FUEL
Age Group_Uncategorized
Age Group_Uncategorized
Author_Arseniy Kotov
Author_FUEL
automatic-update
B01=Damon Murray
B01=Stephen Sorrell
Category1=Non-Fiction
Category=AJ
Category=AM
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch
Product details
- ISBN 9781916218413
- Weight: 750g
- Dimensions: 200 x 160mm
- Publication Date: 24 Sep 2020
- Publisher: FUEL Publishing
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition.
Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take pictures in winter, during the ‘blue hour’, which occurs immediately after sunset or just before sunrise. At this time, the warm yellow colours inside apartment block windows contrast with the twilight gloom outside. To Kotov, this atmosphere reflects the Soviet period of his imagination. His impression of this time is unashamedly idealistic: he envisages a great civilization, built on a fair society, which hopes to explore nature and conquer space.
From the Baikonur Cosmodrome in the desert steppes of Kazakhstan to the grim monolithic high-rise dormitory blocks of inner city Volgograd, Kotov captures the essence of the post-Soviet world. ‘The USSR no longer exists and in these photographs we can see what remains – the most outstanding buildings and constructions, where Soviet people lived and how Soviet cities once looked: no decoration, no bright colours and no luxury, only bare concrete and powerful forms.’
Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take pictures in winter, during the ‘blue hour’, which occurs immediately after sunset or just before sunrise. At this time, the warm yellow colours inside apartment block windows contrast with the twilight gloom outside. To Kotov, this atmosphere reflects the Soviet period of his imagination. His impression of this time is unashamedly idealistic: he envisages a great civilization, built on a fair society, which hopes to explore nature and conquer space.
From the Baikonur Cosmodrome in the desert steppes of Kazakhstan to the grim monolithic high-rise dormitory blocks of inner city Volgograd, Kotov captures the essence of the post-Soviet world. ‘The USSR no longer exists and in these photographs we can see what remains – the most outstanding buildings and constructions, where Soviet people lived and how Soviet cities once looked: no decoration, no bright colours and no luxury, only bare concrete and powerful forms.’
Born in Samara in 1988, Arseniy Kotov grew up in an urban landscape consisting of standardised housing blocks and industrial towers. He has been taking photographs of city landscapes since he was a teenager. At the age of 25 he decided to hitchhike across Russia and then on to Kazakhstan, Kyrgyzstan, and Ukraine. During 2016-19 Arseniy Kotov visited all of the post-soviet republics, where he photographed more than two hundred cities. Damon Murray and Stephen Sorrell have been publishing critically acclaimed books on Soviet culture since 2004 with their Russian Criminal Tattoo Encyclopaedia. More recent titles include Godless Utopia, Spomenik Monument Database and Soviet Bus Stops.
