Soviet Metro Stations
Regular price
€31.99
A01=Christopher Herwig
A01=FUEL
A08=Christopher Herwig
A14=Owen Hatherley
A24=Owen Hatherley
Age Group_Uncategorized
Age Group_Uncategorized
Author_Christopher Herwig
Author_FUEL
automatic-update
B01=Damon Murray
B01=Stephen Sorrell
Category1=Non-Fiction
Category=AJB
Category=AJC
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch
Product details
- ISBN 9780995745568
- Weight: 770g
- Dimensions: 200 x 160mm
- Publication Date: 26 Sep 2019
- Publisher: FUEL Publishing
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Stunning photographs of Soviet Metro Stations from across the former states of the USSR and Russia itself, many of which have never previously been documented
For us, said Nikita Khrushchev in his memoirs, ‘there was something supernatural about the Metro’. Visiting any of the dozen or so Metro networks built across the Soviet Union between the 1930s and 1980s, it is easy to see why. Rather than the straightforward systems of London, Paris or New York, these networks were used as a propaganda artwork – a fusion of sculpture, architecture and art, combining Byzantine, medieval, baroque and Constructivist ideas and infusing them with the notion that Communism would mean a ‘communal luxury’ for all. Today these astonishing spaces remain the closest realisation of a Soviet utopia.
Following his best-selling quest for Soviet Bus Stops, Christopher Herwig has completed a subterranean expedition – photographing the stations of each Metro network of the former USSR. From extreme marble and chandelier opulence to brutal futuristic minimalist glory, Soviet Metro Stations documents this wealth of diverse architecture. Along the way Herwig captures individual elements that make up this singular Soviet experience: neon, concrete, escalators, signage, mosaics and relief sculptures all combine build an unforgettably vivid map of the Soviet Metro.
The photographs are introduced by leading architecture, politics and culture author and journalist Owen Hatherley.
For us, said Nikita Khrushchev in his memoirs, ‘there was something supernatural about the Metro’. Visiting any of the dozen or so Metro networks built across the Soviet Union between the 1930s and 1980s, it is easy to see why. Rather than the straightforward systems of London, Paris or New York, these networks were used as a propaganda artwork – a fusion of sculpture, architecture and art, combining Byzantine, medieval, baroque and Constructivist ideas and infusing them with the notion that Communism would mean a ‘communal luxury’ for all. Today these astonishing spaces remain the closest realisation of a Soviet utopia.
Following his best-selling quest for Soviet Bus Stops, Christopher Herwig has completed a subterranean expedition – photographing the stations of each Metro network of the former USSR. From extreme marble and chandelier opulence to brutal futuristic minimalist glory, Soviet Metro Stations documents this wealth of diverse architecture. Along the way Herwig captures individual elements that make up this singular Soviet experience: neon, concrete, escalators, signage, mosaics and relief sculptures all combine build an unforgettably vivid map of the Soviet Metro.
The photographs are introduced by leading architecture, politics and culture author and journalist Owen Hatherley.
Christopher Herwig is a Canadian born photographer and videographer. Currently based in Jordan, his previous homes have included Liberia and Kazakhstan. Owen Hatherley is a British writer and journalist. He is the author of Landscapes of Communism, a history of communism in Europe told through the built environments of former socialist states.
