Soviet Theatre during the Thaw

Regular price €38.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Jesse Gardiner
aesthetics
anti-Semitism
Author_Jesse Gardiner
avant-garde
Category=ATD
cosmopolitanism
de-Stalinization
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
formalism
Great Purges
Jacques Ranciere
Judith Butler
Meyerhold
Moscow Art Theatre
Nikita Khrushchev
Russia
socialist realism
Soviet Union
Stalinism
Stanislavski
Stanislavsky
Tairov
Thaw
theatre

Product details

  • ISBN 9781350346017
  • Weight: 360g
  • Dimensions: 154 x 232mm
  • Publication Date: 30 May 2024
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

The era known as the Thaw (1953-64) was a crucial period in the history of the Soviet Union. It was a time when the legacies of Stalinism began to unravel and when brief moments of liberalisation saw dramatic changes to society. By exploring theatre productions, plays and cultural debates during the Thaw, this book sheds light on a society in flux, in which the cultural norms, values and hierarchies of the previous era were being rethought.

Jesse Gardiner demonstrates that the revival of avant-garde theatre during the Thaw was part of a broader re-engagement with cultural forms that had been banned under Stalin. Plays and productions that had fallen victim to the censor were revived or reinvented, and their authors and directors rehabilitated alongside waves of others who had been repressed during the Stalinist purges. At the same time, new theatre companies and practitioners emerged who reinterpreted the stylized techniques of the avant-garde for a post-war generation. This book argues that the revival of avant-garde theatre was vital in allowing the Soviet public to reimagine its relationship to state power, the West and its own past. It permitted the rethinking of attitudes and prejudices, and led to calls for greater cultural diversity across society. Playwrights, directors and actors began to work in innovative ways, seeking out the theatre of the future by re-engaging with the proscribed forms of the past.

Jesse Gardiner is Lecturer in Russian at the University of St Andrews, UK.

More from this author