Space and Time in African Cinema and Cine-scapes

Regular price €51.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Kenneth W. Harrow
African Cinema
African diaspora
African diasporic cinema
African studies
Author_Kenneth W. Harrow
Black Audio Film Collective
Borom Sarret
Cape Verdean
Category=ATF
Category=GBC
Category=JBCT
cinematic temporality
Coffee Pot
contemporary African cinema
contemporary physics
Danse Macabre
Double Slit Experiment
Edouard Glissant
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film analysis
film studies
film theory
Fireman
Gilles Deleuze
Glissant's Poetics
Glissant’s Poetics
Golden Stool
interdisciplinary film research
Karen Barad
location
Loop Quantum Gravity
Macro Answers
Newfound Land
Planck Units
Played Back
postcolonial analysis
quantum mechanics
relativity
Sans Soleil
scientific epistemology
Signal Proton
space
Stop Motion
temporality
time
Touki Bouki
Vice Versa
visual narrative structures
Wave Function
Wave Function Collapses
Windrush Generation
Wo
Young Man

Product details

  • ISBN 9781032265704
  • Weight: 460g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This book is the first of its kind to bring basic notions of contemporary physics to bear on African cine-scapes.

In this book, renowned African cinema scholar Kenneth W. Harrow presents unique new ways to think about space and time in film, with a specific focus on African and African diasporic cinema. Through a series of case studies, he explores how cinema creates and represents time and space and, more specifically, how a cinema centered in African landscapes and figures accomplishes this. He reflects on the issues and problems posed by scientists when faced with the basic questions of what space and time are and their solutions or conclusions, giving both film studies and African studies scholars access to new ways to formulate their thinking about African cine-scapes. Working beyond the limits of a framework based in a postcolonial and cultural understanding of time and space, Harrow demonstrates how a scientific understanding of time and space can open up new approaches to African cinema and cinema in general.

A unique, interdisciplinary book that encourages brand new ways to approach cinematic texts and, specifically, African cine-scapes.

Kenneth W. Harrow is Emeritus Distinguished Professor of English at Michigan State University. His work focuses on African cinema and literature, Diaspora and Postcolonial Studies. He is the author of Thresholds of Change in African Literature, Less Than One and Double: A Feminist Reading of African Women’s Writing, Postcolonial African Cinema: From Political Engagement to Postmodernism, and Trash! A Study of African Cinema Viewed from Below. He has edited numerous collections on such topics as Islam and African literature, African cinema, and women in African literature and cinema, including, with Carmela Garritano, A Companion to African Film.

More from this author