Space, Time and Ways of Seeing

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A01=Mundoli Narayanan
Actor's Time Space
Actor’s Time Space
Asian Theatre Forms
audience perception theory
Author_Mundoli Narayanan
Category=AFKP
Category=ATD
Category=JBCC
Category=JHB
Category=JHM
Category=JHMC
Category=QD
cultural anthropology research
Diegetic Space
Dramatic Space
Dramatic Time
Elaborative Segments
embodied performance space analysis
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Haptic Vision
Kerala Kalamandalam
Kerala Region
Live Archive
Make Up
performance phenomenology
Performance Space
Performative Time
phenomenological analysis
Play Text
Precincts
Sanskrit Drama
Sanskrit theatre studies
Stage Lamp
Stage Space
Tamil Nadu
Temple Patronage
Temple Society
temple theatre traditions
Temple Theatres
Text Time
Theatre Space
Vice Versa

Product details

  • ISBN 9780367724207
  • Weight: 720g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 Aug 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume explores the constitutive role played by space in the performance of Kutiyattam. The only surviving form of Sanskrit theatre, Kutiyattam is distinctive in terms of its performance conventions and its unique culture of extensive elaboration and interpretation. Drawing upon the concepts of phenomenology on the processes of perception, particularly on the works of Edmund Husserl, Martin Heidegger and Maurice Merleau-Ponty, it analyses the role of space in the communicative structures of performance of Kutiyattam and its contribution to the production of meaning in theatre, especially in the context of contemporary theatre.

The book explores the theatrical event as a phenomenon that comes into existence through a triangular relationship among the ‘ways of being’ of the performers, the ‘ways of seeing’ of the audience, and the space which brings them together. Based on this formulation, Kutiyattam is approached as a ‘theatre of elaboration,’ made possible by the ‘intimate,’ ‘proximal’ ways of seeing of the audience, in the particular theatrical space of the kūttampalaṃs, the temple theatres, where Kutiyattam has customarily been performed for more than five centuries.

This volume will be of great interest to scholars and researchers of cultural studies, theatre and performance studies, cultural anthropology, phenomenology and South Asian studies.

Mundoli Narayanan, teaches at the Department English, University of Calicut, India. He has a PhD from the University of Exeter, UK, has also taught at the University of Sharjah, Miyazaki International College, Japan, and has been a Fellow at the Indian Institute of Advanced Study, Shimla. He writes in both English and Malayalam and his major areas of research and publication are Theatre & Performance Studies, traditional Indian performance and Cultural Studies. He has also done extensive documentation in association with UNESCO, CDiT, and VEDIKA.

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