Spaces of the Cinematic Home

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American Gigolo
Andrew Hock Soon Ng
Ann Eatwell
architecture
Bathroom Mirror
Big Sleep
Category=ATFA
Category=ATFX
Category=JBCC
Category=JBCT
Christopher Holliday
cinema
cinematic architecture
Contemporary Chinese Cinema
Contemporary Society
Conversation Piece
domestic
domestic space analysis
Double Indemnity
dwelling
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Film Noir
film studies
Fran Pheasant-Kelly
genre
Glen Donnar
Haunted House Narratives
Hollie Price
Hollywood Film Noir
home
horror
Howl's Moving Castle
Howl’s Moving Castle
interior design symbolism
interrior
Jean Amato
Liu's Work
Liu’s Work
Low Budget Exploitation Films
Male Co-star
Mark Jones
Mrs De Winter
national cinema comparison
Olivia De Havilland
Pan's Labyrinth
Pan’s Labyrinth
Pasquale Iannone
Paul Brighton
Period Costume Dramas
Phil Davey
place
Professor's Library
Professor’s Library
representation of home in film
Rupert Pupkin
Scott Martin
security
setting
Sitting Room
space
spatial theory in cinema
sphere
Stella Hockenhull
Twentieth Century Fox Home Entertainment
Vice Versa
Wayne's World
Wayne’s World
Younger Men

Product details

  • ISBN 9781138791657
  • Weight: 476g
  • Dimensions: 152 x 229mm
  • Publication Date: 06 Aug 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines the ways in which the house appears in films and the modes by which it moves beyond being merely a backdrop for action. Specifically, it explores the ways that domestic spaces carry inherent connotations that filmmakers exploit to enhance meanings and pleasures within film. Rather than simply examining the representation of the house as national symbol, auteur trait, or in terms of genre, contributors study various rooms in the domestic sphere from an assortment of time periods and from a diversity of national cinemas—from interior spaces in ancient Rome to the Chinese kitchen, from the animated house to the metaphor of the armchair in film noir.

Eleanor Andrews is Senior Lecturer in Italian and Course Leader for Film Studies at the University of Wolverhampton, UK.

Stella Hockenhull is Reader in Film and Television Studies at the University of Wolverhampton, UK.

Fran Pheasant-Kelly is MA Course Leader and Reader in Film and Television Studies at the University of Wolverhampton, UK.