Spanish Cinema in the Global Context

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A01=Samuel Amago
aesthetics
Author_Samuel Amago
cartographic
Category=ATF
Category=ATFA
Category=GTM
Category=JBCT
Category=NH
cinemascape
cinematic cartography
contemporary
Contemporary Spanish
Contemporary Spanish Cinema
Contemporary Spanish Cultural
DVD Viewing
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film self-reflexivity
Global Mediascape
Javier Cercas
Jim Jarmusch
La Mala
Los Abrazos Rotos
map
media critique methods
migration narratives film
Museo Nacional Centro De Arte
narrative
national
national cinema studies
Pa Negre
Pan's Labyrinth
Pan’s Labyrinth
Popular European Cinema
Recent Spanish Cinema
reflection
Reflexive Aesthetics
reflexive aesthetics in Spanish film analysis
relexivity
Screen Traffic
Snuff Film
Social Issue Cinema
Soldados De Salamina
Spain
Spanish Cinema
Spanish Cultural
Spanish Cultural Context
Spanish Film Production
Spanish historical memory
Spanish Landscape
Spanish National Identity

Product details

  • ISBN 9780415854252
  • Weight: 560g
  • Dimensions: 152 x 229mm
  • Publication Date: 23 May 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Across a broad spectrum of media, markets, and national contexts, self-reflexivity continues to be a favored narrative mode with wide ranging functions. In this book Amago argues that, in addition to making visible industry and production concerns within the film text, reflexive aesthetics have a cartographic function that serves to map the place of a film (geographic and cultural) within the global cinemascape, and thus to bring into sharper relief images of the national. Focusing on films in the contemporary Spanish context that in some way reflect back on themselves and the processes of their own production, that purposefully blur the distinction between reality and fiction, or that draw attention to the various modes of cinematic exhibition and reception, Amago proposes ways in which these movies can be employed to understand Spanish national cinemas today as imbedded within a dynamic global system.

Samuel Amago is Associate Professor of Spanish at the University of North Carolina at Chapel Hill, USA.

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