Spanish Vampire Fiction since 1900

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A01=Abigail Lee Six
Adelaida Garcia Morales
Alfons Cervera
Alfonso Sastre
Antonio de Hoyos y Vinent
Author_Abigail Lee Six
blood
Carmen de Burgos
carne de mi carne
Category=DSBH
Category=DSK
coagulations
comparative vampire literature Spain
contemporary literature
De Roja
Demarcation Line
Dracula
Draws Back
Ella Dracula
Emilia Pardo Bazan
Entre nosotros
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Gangster Film
Gothic literature analysis
Home Town
Human Suffering
intercultural narrative theory
Javier Garcia Sanchez
Jose de la Rosa
Jose Maria Tamparillas
Juan G. Atienza
Juan Ignacio Carrasco
Juan Perucho
La Condesa
La Mujer Fria
La sangre es vida
La sombra de Polidori
La Vieja
Las Brujas
Las Cuencas
Las Historias Naturales
Las noches de espiritu santo
Limpieza De Sangre
literary contagion themes
literatura espanola
Lord Barrymore
Lorenzo Fernandez Bueno
Mercedes Abad
Miguel Puente Molins
Por Ellas
Ramon del Valle-Inclan
religious symbolism in fiction
Sangre
Sangre de mi sangre
Spanish Cultural Context
Spanish folklore studies
supernatural fiction scholarship
UK Score
Vampire Fiction
Vampiro
vampiros espanoles
Wenceslao Fernandez Florez
Young Man

Product details

  • ISBN 9781032093741
  • Weight: 331g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Jun 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Spanish Vampire Fiction since 1900: Blood Relations, as that subtitle suggests, makes the case for considering Spanish vampire fiction an index of the complex relationship between intercultural phenomena and the specifics of a time, place, and author. Supernatural beings that drink blood are found in folklore worldwide, Spain included, and writers ranging from the most canonical to the most marginal have written vampire stories, Spanish ones included too. When they do, they choose between various strategies of characterization or blend different ones together. How much will they draw on conventions of the transnational corpus? Are their vampires to be local or foreign; alluring or repulsive; pitiable or pure evil, for instance? Decisions like these determine the messages texts carry and, when made by Spanish authors, may reveal aspects of their culture with striking candidness, perhaps because the fantasy premise seems to give the false sense of security that this is harmless escapism and, since metaphorical meaning is implicit, it is open to argument and, if necessary, denial.

Part I gives a chronological text-by-text appreciation of all the texts included in this volume, many of them little known even to Hispanists and few if any to non-Spanish Gothic scholars. It also provides a plot summary and brief background on the author of each. These entries are free-standing and designed to be consulted for reference or read together to give a sense of the evolution of the paradigm since 1900. Part II considers the corpus comparatively, first with regard to its relationship to folklore and religion and then contagion and transmission.

Spanish Vampire Fiction since 1900: Blood Relations will be of interest to Anglophone Gothic scholars who want to develop their knowledge of the Spanish dimension of the mode and to Hispanists who want to look at some canonical texts and authors from a new perspective but also gain an awareness of some interesting and decidedly non-canonical material.

Abigail Lee Six is Professor of Spanish at Royal Holloway, University of London, UK. Among the first Hispanists to argue for taking the Gothic beyond a narrow chronological definition, The Gothic Fiction of Adelaida García Morales: Haunting Words and Gothic Terrors: Incarceration, Duplication, and Bloodlust in Spanish Narrative showcase her research.

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