Product details
- ISBN 9781839987922
- Weight: 454g
- Dimensions: 153 x 229mm
- Publication Date: 08 Jul 2025
- Publisher: Anthem Press
- Publication City/Country: GB
- Product Form: Hardback
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This book considers the presence of the supernatural and Gothic elements of the Western on screen. These dark and sinister undertones often exist in Western narratives to draw attention to the ever-present issue of death and its haunting resonance which characters encounter. This book examines this through key historic moments in Western film and its contemporary incarnations. The book detects imposing correlations in themes and currents between the Gothic and the Western relating to existential crisis and a loss of faith in ideologies and institutions. These themes represent the tensions between the old and the new, the deranged insistence on civility and order in a chaotic landscape, disillusionment and the shattering of faith in the natural order, and even nature and order themselves. The Western, just like the Gothic tale, reminds us that new frontiers are mired in the past, and optimism and survival are hunted down and haunted by guilt-ridden past and passed anxieties and traumas
Keith McDonald holds a PhD from Birkbeck College, the University of London, and is an Associate Professor in Film Studies and Media at York St John University. He is the co-author of Guillermo del Toro: Film as Alchemic Art (2014) and Contemporary Gothic and Horror Film: Transnational Perspectives (2021).
Wayne Johnson is Senior Lecturer in Media and Film Studies at York St. John University. He received his PhD from Keele University. He is the co-author of Contemporary Gothic and Horror Film: Transnational Perspectives (2021) and co-editor of the Routledge Companion to Folk Horror (2024).
