Spectre of Tradition and the Aesthetic-Political Movement of Theatre and Performance

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A01=Min Tian
Author_Min Tian
avant-garde movements
Benjamin's Quotation
Benjamin’s Quotation
Brecht's Epic Theatre
Brecht’s Epic Theatre
Category=AB
Category=AFKP
Category=ATD
Category=DSG
Category=JBSL
Category=JHB
Category=JHMC
Category=NHF
Chinese Film
Chinese Play
Chinese Theatre
Epic Theatre
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
False Traditions
Figurative Generalization
intercultural performance methodologies
Intercultural Performances
Intercultural Theatre
intercultural theatre research
Interweaving Performance Cultures
Japanese Theatre
Kabuki Theatre
Mei Lanfang
Meyerhold Theatre
Meyerhold's Idea
Meyerhold's Production
Meyerhold's Work
Meyerhold’s Idea
Meyerhold’s Production
Meyerhold’s Work
Modern Japanese Theatre
modernity and tradition
Moscow Art Theatre
Moscow Daily News
performance studies
postcolonial performance
Rainbow Pass
Stanislavsky System
Traditional Chinese Theatre
transcultural aesthetics
Yellow Jacket

Product details

  • ISBN 9781032146966
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book interrogates anew the phenomenon of tradition in a dialogical debate with a host of Western thinkers and critical minds.

In contrast to the predominantly Western approaches, which look at traditions (Western and non-Western) from a predominantly (Western) modernist perspective, this book interrogates, from an intercultural perspective, the transnational and transcultural consecration, translation, (re)invention, and displacement of traditions (theatrical and cultural) in the aesthetic-political movement of twentieth-century theatre and performance, as exemplified in the case studies of this book. It looks at the question of traditions and modernities at the centre of this aesthetic-political space, as modernities interculturally evoke and are haunted by traditions, and as traditions are interculturally refracted, reconstituted, refunctioned, and reinvented. It also looks at the applicability of its intercultural perspective on tradition to the historical avant-garde in general, postmodern, postcolonial, and postdramatic theatre and performance and to the twentieth-century "classical" intercultural theatre and the twenty-first-century "new interculturalisms" in theatre and performance. To conclude, it looks at the future of tradition in the ecology of our globalized theatrum mundi and considers two important interrelated concepts, future tradition and intercultural tradition.

This book will be of great interest to students and scholars in performance studies.

Min Tian has taught as an Associate Professor at the China Central Academy of Drama and currently works at the University of Iowa, USA.

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