Spectrums of Shakespearean Crossdressing

Regular price €192.20
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Courtney Bailey Parker
Arthur's Bosom
Arthur’s Bosom
Author_Courtney Bailey Parker
Book III
Boy Actress
Category=AFKP
Category=DDA
Category=DS
Category=DSA
Category=DSB
City Comedy
Cross-dressed Heroine
crossdressing practices in Renaissance plays
Dekker's Play
Dekker’s Play
dramatic character representation
early modern theater
English Renaissance drama
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Faerie Queene
female characters
gender performance studies
gendered artifice
Henry Iv Part
Hic Mulier
Lady Capulet
male actors female roles
Mistress Quickly
Moll Cutpurse
Pembroke's Arcadia
Pembroke’s Arcadia
Renaissance Drama
Richard III
Roaring Girl
Shakespearean plays
Sir Alexander
Sir ANDREW
theatrical artifice analysis
Theatrical Crossdressing
Titus Andronicus
Willow Cabin
Young Male Actor
young male players
Young Man

Product details

  • ISBN 9780367333416
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 24 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Since young male players were the norm during the English Renaissance, were all cross-dressed performances of female characters played with the same degree of seriousness? Probably not. Spectrums of Representation in Shakespearean Crossdressing examines these varied types of female characters in English Renaissance drama, drawing from a range of play texts themselves in order to investigate if evidence exists for varying performance practices for male-to-female crossdressing. This book argues for a reading of the representation of female characters on the English Renaissance stage that not only suggests categorizing crossdressing along a spectrum of theatrical artifice, but also explores how this range of artifice enriches our understanding of the plays. The scholarship surrounding cross-dressing rarely makes this distinction, since in our study of early modern plays we tend to accept as a matter of course that all crossdressing was essentially the same. The basis of Spectrums of Representation in Shakespearean Crossdressing is that it was not.

Courtney Bailey Parker is an Assistant Professor of English & Theatre Studies at Greenville University in Greenville, Illinois. She earned her Ph.D. in English Literature from Baylor University and her B.A. in the same subject from Mercer University.

More from this author