Spenser’s Afterlife from Shakespeare to Milton

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A01=Jennifer C. Vaught
animal studies scholarship
Author_Jennifer C. Vaught
Category=ATD
Category=DSBC
Category=DSC
Category=DSG
early modern literature
ecocriticism theory
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
forthcoming
literary reception studies
posthumanism criticism
satire in English poetry
Spenserian intertextual analysis

Product details

  • ISBN 9781041186540
  • Dimensions: 156 x 234mm
  • Publication Date: 10 Jun 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This study explores how Shakespeare, Ben Jonson, Andrew Marvell, and Milton among many others appropriated Spenser’s long and shorter poems for creating comedy, parody, and satire. Their appropriations, which were widely influential on communities of readers, writers, and intertextual networks from 1590–1660, left an abiding impression of Spenser as a biting satirist. Spenser’s Afterlife from Shakespeare to Milton: 'The Faerie Queene' as Intertextual Environment is the first study to combine the reception history of The Faerie Queene with ecocriticism, animal studies, and posthumanist tenets of vital materialism and the power of things. This poem functions as a powerful, nonhuman agent that transforms how readers respond to their environments. The Faerie Queene and its afterlives move readers to perceive flaws in political, social, and religious figureheads and institutions to envision better ones.

Jennifer C. Vaught is Professor of English at University of Louisiana at Lafayette. Most recently, she is the author of Architectural Rhetoric in Shakespeare and Spenser (2019) and coeditor with Judith H. Anderson of the essay collection Shakespeare and Donne: Generic Hybrids and the Cultural Imaginary (2013).

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