Spiritual Dimensions in the Music of Edmund Rubbra

Regular price €173.60
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Lucinda Cradduck
Author_Lucinda Cradduck
British twentieth-century composers
Category=AVLA
Category=AVN
Category=AVP
Category=QRA
Cross Motif
Crux Fidelis
Dance Drama Group
EastaEUR"West cultural exchange
Edmund Rubbra
Eighth Symphony
Empty Tomb
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Fernau Hall
God's Grandeur
God’s Grandeur
GS Proportion
Jade Mountain
music and religion
nature mysticism analysis
Octatonic Collection
Orchestral Reduction
Piano Concerto
Pied Beauty
Regina Caeli
Rosa Mundi
Sinfonia Sacra
Sixth Symphony
spirituality in British classical music
St Thomas Aquinas
Stephen Town
Teilhard De Chardin
Teilhard de Chardin influence
Tempo Marking
Theme Ii
Theosophy in music
Viri Galilaei
Young Men

Product details

  • ISBN 9780367635374
  • Weight: 460g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Dec 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Edmund Rubbra’s music has given him a reputation as a ‘spiritual’ composer, who had an interest in Eastern thought, and a mid-life conversion to Roman Catholicism. This book takes a wide and detailed view of ‘spiritual’ dimensions or strands that were important in his life, positioning them both biographically and within the context of contemporaneous English culture. It proceeds to interpret through detailed analysis the ways these spiritual aspects are reflected in specific compositions.

Thematical treatment of these spiritual issues, touching on Theosophy, dance, Eastern religions and thought, nature, the evolutionary theory of Teilhard de Chardin and the Christ figure, presents a multi-faceted view of Rubbra’s life and music. Its contribution to a scholarly re-evaluation of his place within twentieth-century British music and culture engages and meshes with several areas of current scholarly research in the arts and humanities, including academic interest in Theosophy, modernism and the arts, experimental dance and the Indian cultural renaissance and East–West musical interactions of the late nineteenth and early twentieth centuries. It also adds to a burgeoning body of writings on music and spirituality, fuelled by the popularity of later twentieth-century and contemporary composers who make more overt spiritual references in their music.

Lucinda Cradduck, now retired, was for nearly thirty years an Associate Lecturer in music with the Open University.

More from this author