Spirituals and the Birth of a Black Entertainment Industry

Regular price €115.99
A01=Sandra Jean Graham
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arranged spiritual
Author_Sandra Jean Graham
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blackface minstrelsy
blacks and lyceums
camp meeting songs
Category1=Non-Fiction
Category=AVGD
Category=AVLK
Category=HBTB
Category=HRC
Category=JBSL
Category=JFSL3
Category=KNTF
Category=NHTB
Category=QRM
concert spiritual
COP=United States
Delivery_Delivery within 10-20 working days
Ella Sheppard
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Fisk Jubilee Singers
folk spiritual
Hampton Institute singers
Henry Ward Beecher
Hutchinson family singers
Hyers sisters
Jackson Jubilee Singers
James Monroe Waddy
Jubilee singers
jubilee singers and Chautauquas
Language_English
Leroy L.N.D. Pickett
Lowell Mason
New Orleans Jubilee Singers
PA=Available
people’s song
Price_€100 and above
PS=Active
service of song
Shaw Jubilee Singers
Sheppard’s Colored Jubilee Singers
shoutsshouters
slave song
softlaunch
the Old Original North Carolinians
the Tennesseans Donavin’s Tennesseans
Thomas P. Fenner
Thomas Rutling
Wilmington Jubilee Singers
“Carry the News! We Are All Surrounded
“I Ain’t Got Weary Yet
“Rise! Shine!
“Some o’ Dese Mornin’s
” camp meetings
” dialect in spirituals
” Slave Songs of the United States
” “A Great Camp Meeting in the Promised Land
” “Didn’t My Lord Deliver Daniel
” “Rock’a My Soul
” “Steal Away
” “The General Roll

Product details

  • ISBN 9780252041631
  • Weight: 653g
  • Dimensions: 156 x 235mm
  • Publication Date: 26 Feb 2018
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late nineteenth-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons. In so doing they lay the foundation for a black entertainment industry whose artistic, financial, and cultural practices extended into the twentieth century. A companion website contains jubilee troupe personnel, recordings, and profiles of 85 jubilee groups. Please go to: http://www.press.uillinois.edu/books/graham/spirituals/
Sandra Jean Graham is an associate professor of music at Babson College.