Stage Blood

Regular price €19.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Michael Blakemore
Age Group_Uncategorized
Age Group_Uncategorized
Author_Michael Blakemore
automatic-update
Category1=Non-Fiction
Category=ANF
Category=ATD
Category=ATDF
Category=BM
Category=DNC
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
Laurence Olivier
National Theatre
Nick Hytner
PA=Available
Peter Hall
Price_€10 to €20
PS=Active
RSC
softlaunch
South Bank

Product details

  • ISBN 9780571241385
  • Weight: 290g
  • Dimensions: 126 x 199mm
  • Publication Date: 04 Sep 2014
  • Publisher: Faber & Faber
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat.

Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.

Michael Blakemore arrived in the UK from Australia in 1950. He spent fifteen years as an actor before directing at the Glasgow Citizens' Theatre. He became Associate Director of the National Theatre under Olivier, and directed him in, amongst others, Long Day's Journey into Night. He has directed new work by dramatists as diverse as Arthur Miller, Peter Nichols, Michael Frayn, David Hare, Peter Schaffer, Don DeLillo, Woody Allen and David Mamet. At the 2000 Tony Awards he won an unprecedented double as Best Director of both a play, Copenhagen, and a musical, Kiss Me Kate. He has written and directed two films, and is the author of the novel, Next Season. His memoir, Arguments with England finishes where Stage Blood begins.

More from this author