Stage-Play and Screen-Play

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42nd Street
A01=Michael Ingham
Act III
adaptation
adaptation studies
Author_Michael Ingham
Backstage Film
Bergman's Film
Bergman’s Film
Bleak Midwinter
Captured Live
Category=AT
Category=ATD
Category=ATF
Category=ATFA
Cyrano De Bergerac
Das Kunstwerk Im Zeitalter Seiner
director
dramatic narrative transfer
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fever Blisters
fidelity
genre
Golden Coach
Im Zeitalter Seiner Technischen Reproduzierbarkeit
image
intermedial performance research
intermediality
Korol Lir
Kunstwerk Im Zeitalter Seiner Technischen
Lady Windermere's Fan
Lady Windermere’s Fan
Les Parents Terribles
live theatre mediation
mimesis
Mrs Erlynne
Murnau's Film
Murnau’s Film
Offstage Space
performance
performance analysis
presence
remediation
representation
Richard III
RSC Production
Shakespeare Films
silent cinema history
simulcast techniques
Synchronised Sound Film
text
theatricality
Uncle Vanya
Vice Versa
Young Man

Product details

  • ISBN 9781138841031
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Dec 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined.

Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media.

Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.

Michael Ingham is an Associate Professor in the Department of English Studies at Lingnan University, Hong Kong. He is a founder member of Theatre Action, a drama group specializing in action research on literary drama texts and intercultural adaptations.

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