Stagecraft in Euripides (Routledge Revivals)

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A01=Michael Halleran
ancient dramaturgy
ancient Greek stage directions
Athene's Entrance
Athene’s Entrance
Attic tragedy
Author_Michael Halleran
Category=AB
Category=ATD
Category=DB
Category=NHC
character movement
classical performance studies
Divine Appearance
Dramatic Connections
dramatic structure research
Dramatic Technique
Entrance Announcement
Eos
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eq_bestseller
eq_biography-true-stories
eq_history
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eq_nobargain
eq_non-fiction
Euripidean Plays
Euripidean Prologues
Extant Tragedies
False Recognition
Golden Lamb
Greek theatre analysis
Iambic Trimeters
Infant Ion
Ion's Purity
Ion’s Purity
Kreon
Laurel Branches
Lyric Duet
Prologue Scene
Strophic Pair
Strophic Song
Thr Nos
Verbal Echoes
Verbal Link
Violate
Young Man

Product details

  • ISBN 9780415744409
  • Weight: 400g
  • Dimensions: 138 x 216mm
  • Publication Date: 12 Dec 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In Stagecraft in Euripides, first published in 1985, Professor Michael Halleran examines certain aspects of the dramaturgy of the most extensively preserved Attic tragedian.

Although the ancient dramatic texts do not contain performance directions, they do imply stage actions. This work explores the ways Euripides utilises the latter to make a point: to underline some issue, to suggest a contrast, or to shift the focus of the drama. Specifically, Halleran investigates the rearrangement of characters on stage at the major structural junctures of the play: entrances and their announcements; preparation for and surprise in entrances; and dramatic connections between exits and entrances.

Three plays from the same era – Herakles, Trojan Women and Ion – are discussed in greater detail to reveal the potential of this approach for illuminating Euripides’ ‘grammar of dramatic technique’. Stagecraft in Euripides will thus appeal to students of theatre and drama as well as classicists.

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