Stages on Life's Way

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A01=Soren Kierkegaard
Admiration
Allusion
Author_Soren Kierkegaard
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Calculation
Calligraphy
Category=QDH
Confidant
Consonant
Criticism
Don Giovanni
Effeminacy
Eloquence
Embarrassment
Enthusiasm
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Eroticism
Eulogy
Everyday Use
Explanation
Faithfulness
Femininity
Forgery
God Knows (novel)
Guideline
Herodotus
I Wish (manhwa)
In vino veritas
Infatuation
Irony
Laughter
Literature
Loeb
Magic word
Manliness (book)
Misery (novel)
Mother Love (TV series)
Mr.
Mrs.
Newspaper
Omnipotence
Originality
Periander
Philosopher
Piety
Pity
Poetry
Postscript
Princeton University Press
Printing
Prose
Pseudonym
Pseudonymity
Rhetoric
Romanticism
Sadness
Sarcasm
Satire
Self-love
Sophist
Soren Kierkegaard
Stages on Life's Way
Stupidity
Suggestion
Superiority (short story)
Symptom
The Erotic
The Other Hand
The Physician
Thought
V.
Wealth
Writing

Product details

  • ISBN 9780691020495
  • Weight: 907g
  • Dimensions: 140 x 216mm
  • Publication Date: 21 Nov 1988
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
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Stages on Life's Way, the sequel to Either/Or, is an intensely poetic example of Kierkegaard's vision of the three stages, or spheres, of existence: the esthetic, the ethical, and the religious. With characteristic love for mystification, he presents the work as a bundle of documents fallen by chance into the hands of "Hilarius Bookbinder," who prepared them for printing. The book begins with a banquet scene patterned on Plato's Symposium. (George Brandes maintained that "one must recognize with amazement that it holds its own in this comparison.") Next is a discourse by "Judge William" in praise of marriage "in answer to objections." The remainder of the volume, almost two-thirds of the whole, is the diary of a young man, discovered by "Frater Taciturnus," who was deeply in love but felt compelled to break his engagement. The work closes with a letter to the reader from Taciturnus on the three "existence-spheres" represented by the three parts of the book. Stages on Life's Way not only repeats themes, characters, and pseudonymous authors of the earlier works but also goes beyond them and points to further development of central ideas in Concluding Unscientific Postscript.

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