Staging Blackface in Canada

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A01=Cheryl Thompson
amateur theatre
American culture
American influence
amusement parks
Author_Cheryl Thompson
blackface
burlesque
Canadian stages
Canadian theatre history
Category=ATD
Category=JBSL
Cnaadian culture
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
light opera
progressive modernism
racial caricature
sound recording
stage culture
textual records
theatrical criticism
theatrical reviews
unregulated media
variety theatre
yellowface
Ziegfeld Follies

Product details

  • ISBN 9781771127011
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Apr 2026
  • Publisher: Wilfrid Laurier University Press
  • Publication City/Country: CA
  • Product Form: Paperback
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In the early twentieth-century, Canada’s theatres were mostly controlled by Americans. As variety shows flooded these stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change.

Staging Blackface in Canada covers a moment when Canadians did not produce professional theatre, but they built amusement parks, wrote songs, and produced records. As the stage (drama), and its variants (burlesque, light opera) adapted elements from the new stages (amusement parks, social dance, and film), the modern culture popularized forms of blackface that impacted white, Anglo-Protestant, and English-speaking audiences, and drew theatrical criticism.

This book explores a twenty-year period in Canada’s history when there was no media regulation, and no mandate to promote Canadian culture. Through an examination of theatrical reviews, images, and textual records, Staging Blackface in Canada locates how the Canadian stage became a playground for ethnic jokes, racial caricature, and women’s emancipation. It also locates some of the first Black musicals and operas to appear on Canadian stages.

Cheryl Thompson is author of Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812–1897 (2025), Uncle: Race, Nostalgia, and the Politics of Loyalty (2021) and Beauty in a Box: Detangling the Roots of Canada's Black Beauty Culture (2019). She holds a PhD in Communication Studies from McGill University.

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