Staging Change

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21st century
A01=Dr Victoria L. Scrimer
A01=Victoria L. Scrimer
activism
Age Group_Uncategorized
Age Group_Uncategorized
Author_Dr Victoria L. Scrimer
Author_Victoria L. Scrimer
autoethnographic
automatic-update
B09=Anja Hartl
B09=William C. Boles
Category1=Non-Fiction
Category=AN
Category=ATD
Category=DSG
Category=GT
Category=JBF
Category=JPW
COP=United Kingdom
Delivery_Pre-order
drama
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Hans-Thies Lehmann
Language_English
movements
PA=Not yet available
politics
Price_€50 to €100
protests
PS=Forthcoming
softlaunch
theatre

Product details

  • ISBN 9781350445635
  • Weight: 440g
  • Dimensions: 146 x 218mm
  • Publication Date: 23 Jan 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Exploring a wide variety of examples of activist performances, such as David Buckel’s self-immolation, and the January 6th capitol insurrection, this book analyses activist performance through the lens of postdramatic theatre theory.

Staging Change poses the provocative question: are activists addicted to drama? Scrimer examines the ways in which the performance and reception of protest is informed by the logic of dramatic theatre, and argues that such performative arrangements are so naturalized that they can limit the ability of activists and their audiences to imagine different ways of precipitating change. By combining performance analysis, interviews with artists and activists, and autoethnographic accounts of the author’s own experiences as an environmental activist, the book illustrates the limitations and alternatives to dramatic representation in activist performance.

The last decade has seen an increase in political demonstrations worldwide, particularly following the excitement and disappointments of the Arab Spring uprisings. We have seen several notable movements such as the Occupy movement, the mobilization of Black Lives Matter, and the #MeToo movement. In response, scholars, artists, and activists from diverse disciplines have produced an exciting array of practical and theoretical approaches for talking about and thinking through activism. Utilizing these interdisciplinary approaches, Scrimer offers us a theoretical inquiry into the possible applications of Hans-Thies Lehmann’s postdramatic theatre theory in the context of political activism, and subsequently extends an alternative conceptual model for activist performance beyond the dramatic paradigm.

Victoria L. Scrimer is Visiting Assistant Professor of Theatre History and Criticism at Millikin University, USA. She has spent a decade working for social and environmental justice organizations including Greenpeace and First Peoples Worldwide.

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