Staging Rebellion in the Musical, Hair

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A01=Sarah Elisabeth Browne
African Americans
American cultural critique
Author_Sarah Elisabeth Browne
Balcony
Black Buck
Black Performers
Broadway history
Camelot
Cast Members
Cast Recording
Category=AVLM
Category=AVLP
Contemporary Society
counterculture performance
Cultural Moment
Declaration Of Independence
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eq_bestseller
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eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
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Holds
Jesus Christ Superstar
La MaMa
marginalised voices in musical analysis
Musical Theatre History
Musical Theatre Song
Opening Number
Original Broadway Productions
Post-war
Protest Song
race and gender studies
sixties protest theatre
USA
utopian performance theory
Utopian Performatives
Vietnam War
Walla Walla
Young Men

Product details

  • ISBN 9781032224732
  • Weight: 360g
  • Dimensions: 156 x 234mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This volume provides a comprehensive survey of the musical Hair and will offer critical analysis which focuses on giving voice to those who are historically considered to be on the margins of musical theatre history.

Sarah Browne interrogates key scenes from the musical which will seek to identify the relationship between performance and the cultural moment. Whilst it is widely acknowledged that Hair is a product of the sixties counter-culture, this study will place the analysis in its socio-historical context to specifically reveal American values towards race, gender, and adolescence. In arguing that Hair is a rebellion against the established normative values of both American society and the art form of the musical itself, this book will suggest ways in which Hair can be considered utopian: not only as a utopian ‘text’ but in the practices and values it embodies, and the emotions it generates in its audiences.

This book will be of great interest to scholars and students of music, musical theatre, popular music, American studies, film studies, gender studies, or African American studies.

Sarah Elisabeth Browne is Head of the School of Performing Arts and Associate Dean at the University of Wolverhampton, UK. She has worked extensively as conductor, arranger, and musical director, and has worked in education for over 20 years. Her research interests include the politics of race and gender in musical theatre, American musical theatre of the 1960s, and stage-to-screen transitions of musicals.

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