Staging the Artist

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A01=Claire Moran
art
art history
artist
artistic identity formation
Author_Claire Moran
Belgium
Brecht's Writings
Brecht’s Writings
Breton Costume
Category=AGA
Charles Baudelaire
Charles Van Lerberghe
Checkers Players
Courbet's Art
Courbet’s Art
Des Arts Graphiques
Edgar Degas
Ensor's Comments
Ensor's Painting
Ensor’s Comments
Ensor’s Painting
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
France
French and Belgian artists
Gauguin
Gauguin's Self-portraits
Gauguin’s Self-portraits
Gogh
history of theater
Koninklijk Museum Voor Schone Kunsten
Le Mercure De France
Le Pacte Autobiographique
Le Sourire
modern art
modernism and performance
MS Version
Museum Voor Schone Kunsten
nineteenth century
Nineteenth Century Aesthetics
Nineteenth Century Belgium
nineteenth-century art
painting
Parasol Mushroom
Parti Ouvrier Belge
Paul Gauguin
performance
performance in visual art history
theater
theater studies
theatricality in painting
Twentieth Century French Literature
Vincent Van Gogh
visual self-representation
Young Man

Product details

  • ISBN 9781409427759
  • Weight: 657g
  • Dimensions: 174 x 246mm
  • Publication Date: 14 Dec 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Restoring the role of theatrical performance as both subject and trope in the aesthetics of self-representation, Staging the Artist questions how nineteenth-century French and Belgian artists self-consciously fashioned their identities through their art and writings. This emphasis on performance allows for a new understanding of the processes of self-fashioning which underlie self-representation in word and image. Claire Moran offers new interpretations of works by major nineteenth-century figures such as Paul Gauguin and Edgar Degas, and addresses the neglected topic of the function of theatre in the development of modern visual art. Incarnating Baudelaire's metaphor of the artist as an actor ever-conscious of his role, the artists discussed "Courbet, Ensor and Van Gogh, among others" employed theatre as both a thematic source and formal inspiration in their painting, writings and social behaviour. Moran argues that what renders this visual, literary and social performance modern is its self-consciousness, which in turn serves as a model with which to challenge pictorial convention. This book suggests that tracing modern performance and artistic identity to the nineteenth century provides a greater understanding not only of the significance of theatre in the development of modern art, but also highlights the self-conscious staging inherent to modern artistic identity.

Claire Moran is Lecturer in French at Queen's University, Belfast, UK.

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