Product details
- ISBN 9780367506322
- Weight: 910g
- Dimensions: 156 x 234mm
- Publication Date: 29 Apr 2022
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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A widely celebrated intellectual historian of twentieth-century Europe, Anson Rabinbach is one of the most important scholars of National Socialism working over the last forty years. This volume collects, for the first time, his pathbreaking work on Nazi culture, antifascism, and the after-effects of Nazism on postwar German and European culture. Historically detailed and theoretically sophisticated, his essays span the aesthetics of production, messianic and popular claims, the ethos that Nazism demanded of its adherents, the brilliant and sometimes successful efforts of antifascist intellectuals to counter Hitler’s rise, the most significant concepts to emerge out of the 1930s and 1940s for understanding European authoritarianism, the major controversies around Nazism that took place after the regime’s demise, the philosophical claims of postwar philosophers, sociologists and psychoanalysts—from Theodor Adorno to Hannah Arendt and from Alexander Kluge to Klaus Theweleit—and the role of Auschwitz in European history.
Anson Rabinbach is Philip and Beulah Robbins Professor of History Emeritus at Princeton University. He is the author of The Human Motor (1990), In the Shadow of Catastrophe (1997) and The Eclipse of the Utopias of Labor (2018), and co-editor of The Third Reich Sourcebook (2013). He is a founding editor of New German Critique.
Stefanos Geroulanos is Professor of History at New York University, a co-executive editor of the Journal of the History of Ideas, and the author of Transparency in Postwar France (2017) and The Human Body in the Age of Catastrophe (with Todd Meyers, 2018).
Dagmar Herzog is Distinguished Professor of History and Daniel Rose Faculty Scholar, Graduate Center, City University of New York, and the author of, among others, Sex after Fascism (2005), Cold War Freud (2017), and Unlearning Eugenics (2018).
