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A01=Michal Grover-Friedlander
Abbate's Distinction
Abbate’s Distinction
Aeolian Harp
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Artist's Model
Artist’s Model
Author_Michal Grover-Friedlander
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Beaded Face
Bound Foot
Boy's Killing
Boy’s Killing
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Contemporary Opera
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Der Jasager
directorial interpretation
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experimental musicology
Fairy Tale
Figurative Generalization
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music theatre analysis
Necker Cube
Noh Play
opera voice staging techniques
Operatic Voice
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performance aesthetics
practice-based research
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Satie's Socrate
Satie's Work
Satie’s Socrate
Satie’s Work
Satyr Marsyas
Silver Swan
Socrates's Death
Socrates’s Death
softlaunch
Staging Voice
Swan Song
Tense Co-existence
twentieth-century composers
Voice Studies
Waley's Translation
Waley’s Translation

Product details

  • ISBN 9781032034287
  • Weight: 200g
  • Dimensions: 138 x 216mm
  • Publication Date: 29 Jan 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Staging Voice is a unique approach to the aesthetics of voice and its staging in performance.

This study reflects on what it would mean to take opera’s decisive attribute—voice—as the foundation of its staged performance. The book thinks of staging through the medium of voice. It is a nuances exploration, which brings together scholarly and directorial interpretations, and engages in detail with less frequently performed works of major and influential 20th-century artists—Erik Satie, Bertolt Brecht and Kurt Weill—as well as exposes readers to an innovative experimental work of Evelyn Ficarra and Valerie Whittington. The study is intertwined throughout with the author’s staging of the works accessible online.

This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design, and cultural studies.

Michal Grover-Friedlander is Associate Professor of Musicology and head of the Musicology Department at Tel Aviv University. Her first monograph, Vocal Apparitions: Cinema’s Attraction to Opera, was published by Princeton University Press in 2005. Her second book Operatic Afterlives was published by Zone Books in 2011. She is artistic founder and director of the experimental opera ensemble Ta Opera Zuta.

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