Stardom and the Aesthetics of Neorealism

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A01=Ora Gelley
alain
Author_Ora Gelley
bergala
bergman
Bergman Films
Bergman's Character
bergmans
Bergman’s Character
Bird's Eye
Bird’s Eye
Cahiers Critics
Category=ATFB
Category=GTM
Category=JBCT
Category=NH
character
cinematic realism theory
city
Classical Hollywood Style
Community's Fight
Community’s Fight
cross-cultural film analysis
Da Game
Don Pietro
Earth Trembles
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Eric Rohmer
Fereydoun Hoveyda
Free Italy
Frequent Close Ups
Germany Year
Hollywood star image
ingrid
Italian film studies
La Terra Trema
lms
Michel's Death
Michel’s Death
Modern Cinema
national identity construction
neorealism and foreign influence discourse
Obsessive Immobility
open
postwar European cinema
Postwar Films
Postwar Italian Cinema
rome
Rome Open City
Rossellini Films
Saratoga Trunk
Scarlet Empress
Young Man

Product details

  • ISBN 9780415890038
  • Weight: 540g
  • Dimensions: 152 x 229mm
  • Publication Date: 29 May 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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In this exciting new book, Gelley considers the collaboration between Rossellini and Ingrid Bergman in light of the neorealist aesthetic. This study re-examines the director's postwar works in relation to the contemporary discussion on Italian national identity: rather than marking a radical break with the director's early neorealist successes, Rossellini's films with Bergman in fact extend the boundaries of neorealism and challenge the standard reading of its basic tenets, especially the relationship between character and setting.

Gelley reassesses the relationship between European postwar and American cinema, looking at how the image of the Hollywood star was translated and transformed when it was imported into Rossellini's Italy. Rossellini's insertion of the Hollywood star into the native landscape had a significant influence on the director's approach to the neorealist aesthetic. His filming of the encounter between Bergman and the Italian landscape involves not only a re-interpretation and transformation of the Hollywood star persona, but also a challenge to the idealized notion of an authentic Italian national collective free of foreign influence. The disruption of Bergman's character into the Italian landscape became one means whereby the director was able to explore the ambivalence inherent in any attempt to construct a national identity.

Ora Gelley is Assistant Professor of Film Studies at North Carolina State University.

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