State Propaganda in China's Entertainment Industry

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A01=Shenshen Cai
Aesthetic Public Sphere
anti-Japanese Bases
audience
Author_Shenshen Cai
Cat Walks
Category=JBCC1
Category=JBCT
Category=JBSL
Category=JPV
Category=KNT
Category=NHTB
CCP Army
CCP Government
CCP Ideology
CCP Propaganda
CCP Rule
CCP Troop
chen
chinese
Chinese media studies
Confucian Discourse
contemporary
Contemporary Chinese Audience
cultural policy analysis
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Festival Galas
films
Han Sanping
Harmonious Society
ideological narratives
Jiang Baili
jinping
Lu Xun
mainstream
mass communication China
Mine Warfare
nationalism and nostalgia
official
people
Pillar Standing
Popular Confucianism
state influence on entertainment media
television drama research
Topical Social Problems
Tv Drama Production
Tv Drama Serial
Tv Serial
Tv Show
Tv Text
xun

Product details

  • ISBN 9781138639614
  • Weight: 362g
  • Dimensions: 156 x 234mm
  • Publication Date: 02 Jun 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Most current research on the evolution of China’s propaganda discourse only touches upon recent variations of official propaganda rhetoric grounded in popular media. Here, the research is extended by tapping into the most recently released popular cultural media narratives such as online documentaries, films, TV drama serials and education programs, all of which are enlisted and co-opted by the state for propaganda goals.

This book maps out the cutting-edge expansions of official propaganda that are embedded in the entertainment industry of contemporary China. Its case studies bring to light the progression of the mainstream propaganda discourse in terms of its merging, cooperation and compromise with the commercial features of both the traditional and newly-emerging entertainment media. In particular, it examines a group of mass entertainment products which include two best-selling mainstream blockbusters, two on-line commercial web documentaries, the China Central Television Moon Festival Gala series, socialist revolutionary TV drama serials, and a prime time science and education program. In so doing, it forefronts the up-to-date developments and novelties of state propaganda: its motives, reasoning and approaches within the mediasphere of today’s China.

Illustrating how the CCP propaganda apparatus and tactics evolve and become embedded in popular media products, this book will be of interest to students and scholars of Chinese studies, Media Studies and Popular Cultural Studies.

Shenshen Cai is a Lecturer in Chinese Studies at the University of Melbourne, Australia. She has recently published articles in journals such as Social Semiotics (2015), Asian Studies Review (2016), and Asian Theatre Journal (2016).

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