Stay Tuned

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A01=Patrick Sullivan
aesthetic theory
aesthetics
affective rhythms
American Studies
audiovisual media
auditory culture
Author_Patrick Sullivan
broadcast history
Category=ATJ
Category=ATY
Category=JBCC1
Category=JBCT
commercial culture
Communications
cultural theory
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
Film
formal analysis
forthcoming
History: US
jingles
laugh track
mass media
Media Studies
media theory
network aurality
network-era television
noise
Patrick Sullivan
Popular Culture
postwar America
postwar culture
sonic forms
sound and image
sound design
sound studies
television aesthetics
television art
television criticism
television history
television sound

Product details

  • ISBN 9781978842953
  • Weight: 454g
  • Dimensions: 152 x 229mm
  • Publication Date: 09 Jun 2026
  • Publisher: Rutgers University Press
  • Publication City/Country: US
  • Product Form: Hardback
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Since the 1950s, television flooded the American soundscape with not just pictures but sounds, a constant aural stream infiltrating domestic life. In Stay Tuned, Patrick Sullivan treats network-era television sound not as background noise or auxiliary signal but as a formative texture of aesthetic life in postwar America. He theorizes how television's sonic forms—asynchronous audiovisuals, noises, affective rhythms, what he collectively terms "network aurality"—trouble traditional aesthetic theory. Stay Tuned takes up critiques of television sound and repurposes them as evidence of a deeper philosophical discomfort: namely, that television sound does something to aesthetic categories that they weren't built to handle. From the laugh track to the cartoon "boinks," from noises to the jingle, Sullivan reads television sounds not as cultural detritus but as formal interventions—forcing a redefinition of what aesthetics means when form is mass-produced, commercial, and built for syndication. What emerges is not just a new theory and history of television sound but a reimagined account of aesthetic experience itself—expanded, recalibrated, and a little wacky.

Patrick Sullivan is an assistant professor of performance and visual studies at Texas A&M University.

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