Stephen King and the Uncanny Imaginary

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A01=Erin Mercer
American culture
American Gothic
Animistic Worldview
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Author_Erin Mercer
Back Half
Bag of Bones
Burial Ground
Category=DSA
Category=DSB
Category=JBCC1
Category=NH
Cell
Charles Brockden Brown
Christine
cultural repression themes
Danse Macabre
death
Desperation
Dolores Claibourne
doppleganger
Dreamcatcher
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eq_biography-true-stories
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fairy Tale
Freud
Freudian psychoanalysis
From A Buick 8
Gerald's Game
Gothic
gothic fiction analysis
Hearts in Atlantics
Heimlich
horror
horror literature studies
Insomnia
Internal Psychic Structures
IT
King's Engagement
King's Fiction
King's Narratives
King's Work
King's Writing
King’s Engagement
King’s Fiction
King’s Narratives
King’s Work
King’s Writing
Lisey's Story
madness
Misery
monster
mortality
Nuclear Family Unit
Overlook Hotel
Paranormal Powers
Pet Sematary
Poplar Street
popular fiction
psychic phenomena research
psychoanalytical theory
Revival
Rose Madder
Salem's Lot
Stephen King
supernatural motifs
The Dark Half
The Drawing of the Three
The Girl Who Loved Tom Gordon
The Institute
The Outsider
The Shining
the uncanny
Tragic Flaws
True Knot
uncanny theory in contemporary fiction
unheimlich
Young Man

Product details

  • ISBN 9781032185903
  • Weight: 399g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Aug 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Offering an insightful examination of Stephen King’s fiction, this book utilises a psychoanalytical approach drawing on Freud’s theory of the uncanny. It demonstrates how entrenched King’s work is in a literary tradition influenced by psychoanalytic theory, as well as the ways that King evades and amends Freud. Such an approach positions King’s texts not simply as objects of interpretation that might yield latent meaning, but as producers of meaning. King can certainly be read through the lens of the uncanny, but this book also aims to consider the uncanny through the lens of King.

Organised around specific elements of the uncanny that can be found in King’s fiction, this book explores the themes of death and the return of the dead, monstrosity, telepathy, inanimate objects becoming menacingly animate, and spooky children. Popular texts are considered, such as IT, The Shining, and Pet Sematary, as well as less discussed work, including The Institute, The Regulators and Desperation. The book’s central argument is that King’s uncanny motifs offer insightful commentary on what is repressed in contemporary culture and insist on the failure of scientific rationalism to explain the world. King’s uncanny imaginary rejects dualistic notions of an experiencing self in an inert physical world and insists that psychic experience is bound up with the environmental.

This book will be of interest to students and scholars of contemporary and popular literature, gothic and horror studies, and cultural studies.

Dr Erin Mercer is Senior Lecturer in English at Massey University. She is the author of Telling the Real Story (Victoria UP 2017) and Repression and Realism in Post-War American Literature (Palgrave 2011). Her research has also appeared as book chapters and in journals such as Gothic Studies, The Journal of American Culture and The Journal of Popular Culture.

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