A01=Fernando Dominguez Rubio
aesthetics
art preservation
Author_Fernando Dominguez Rubio
Category=ABC
Category=AGC
Category=GLZ
Category=JHB
climatic infrastructures
collection management
conservation
containment
cracks
curator
digital
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
exhibition
fading
fragility
history
installation
lab
machine rooms
moma
museology
museums
nonfiction
painting
photography
restoration
sociology
storage facilities
technology
visual arts
Product details
- ISBN 9780226713922
- Dimensions: 152 x 229mm
- Publication Date: 19 Aug 2020
- Publisher: The University of Chicago Press
- Publication City/Country: US
- Product Form: Hardback
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How do you keep the cracks in Starry Night from spreading? How do you prevent artworks made of hugs or candies from disappearing? How do you render a fading photograph eternal--or should you attempt it at all? These are some of the questions that conservators, curators, registrars, and exhibition designers dealing with contemporary art face on a daily basis. In Still Life, Fernando Dominguez Rubio delves into one of the most important museums of the world, the Museum of Modern Art in New York, to explore the day-to-day dilemmas that museums workers face when the immortal artworks that we see in the exhibition room reveal themselves to be slowly unfolding disasters.
Still Life offers a fascinating and detailed ethnographic account of what it takes to prevent these disasters from happening. Going behind the scenes at MoMA, Dominguez Rubio provides a rare view of the vast technological apparatus--from climatic infrastructures and storage facilities, to conservation labs and machines rooms--and teams of workers--from conservators and engineers to guards and couriers--who fight to hold artworks still.
As the MoMA reopens after massive expansion and rearranging of its space and collections, Still Life not only offers a much-needed account of the spaces, actors, and forms of labor traditionally left out of the main narratives of art, but it also offers a timely meditation on how far we, as a society, are willing to go to keep the things we value from disappearing into oblivion.
Fernando Dominguez Rubio is assistant professor of communication at the University of California, San Diego. He is coeditor of The Politics of Knowledge.
