Still-Life as Portrait in Early Modern Italy

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A01=Ornat Lev-er
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art and science interplay
Author_Ornat Lev-er
automatic-update
bergamo
Category1=Non-Fiction
Category=ACN
Category=AFC
Category=AGA
Category=AGN
Category=AGNS
Category=HBLH
conceit
COP=Netherlands
cultural networks Italy
culture
Delivery_Delivery within 10-20 working days
early modern visual culture analysis
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
humanist patronage
Language_English
Lombardy painting
music
musical iconography
PA=Not available (reason unspecified)
paragone
Price_€100 and above
PS=Active
seventeenth century art
softlaunch
still life

Product details

  • ISBN 9789462988804
  • Weight: 880g
  • Dimensions: 174 x 246mm
  • Publication Date: 24 Apr 2019
  • Publisher: Amsterdam University Press
  • Publication City/Country: NL
  • Product Form: Hardback
  • Language: English
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Still-Life as Portrait in Early Modern Italy centers on the still-life compositions created by Evaristo Baschenis and Bartolomeo Bettera, two 17th-century painters living and working in the Italian city of Bergamo. This highly original study explores how these paintings form a dynamic network in which artworks, musical instruments, books, and scientific apparatuses constitute links to a dazzling range of figures and sources of knowledge. Putting into circulation a wealth of cultural information and ideas and mapping a complex web of social and intellectual relations, these works paint a portrait of both their creators and their patrons, while enacting a lively debate among humanist thinkers, aristocrats, politicians, and artists. The unique contribution of this groundbreaking study is that it identifies for the first time these intellectually rich concepts that arise from these fascinating still-life paintings, a genre considered as low. Engaging with literary blockbusters and banned books, theatrical artifice and music, and staging a war among the arts, Baschenis and Bettera capture the latest social intrigues, political rivalries, intellectual challenges, and scientific innovations of their time. In doing so, they structure an unstable economy of social, aesthetic, and political values that questions the notion of absolute truth, while probing the distinctions between life and artifice, meaningless marks and meaningful signs.

Ornat Lev-er earned her PhD in art history from Ben Gurion University of the Negev in Israel. She is the co-editor of Can Art Aid in Resolving Conflicts? a joint project of IDC Israel and the Wharton School, University of Pennsylvania.

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