Stories of Tonality in the Age of François-joseph Fétis

Regular price €59.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Thomas Christensen
Age Group_Uncategorized
Age Group_Uncategorized
alterity
ambient noise
arab
Author_Thomas Christensen
automatic-update
belgium
Category1=Non-Fiction
Category=AVA
Category=AVC
Category=HBJD
Category=NHD
chamber
chant
choir
church
concert hall
COP=United States
criticism
culture
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
europe
folk songs
france
francois-joseph fetis
future
history
india
interpretation
Language_English
medieval
microtonal scale systems
migration
musical repertoires
musicology
nonfiction
othering
PA=Available
performing arts
Price_€50 to €100
progress
PS=Active
race
religious music
renaissance
social change
softlaunch
sound
stage
street cries
tonality
transformation

Product details

  • ISBN 9780226626925
  • Weight: 652g
  • Dimensions: 17 x 24mm
  • Publication Date: 27 May 2019
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Secure checkout Fast Shipping Easy returns
Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.
 

More from this author