Story of British Video Activism

Regular price €36.50
1970s community arts
A01=Ed Webb-Ingall
activist cinema
alternative media practices
Author_Ed Webb-Ingall
BFI archive
British documentary history
British moving image culture
Category=ATFN
Category=ATFR
Category=JPW
Category=NHD
Category=NHTB
Challenge for Change
collective creativity
community cable television
community video
cultural politics of video
digital activism origins.
eq_art-fashion-photography
eq_bestseller
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
forthcoming
grassroots video
London Community Video Archive
media and social movements
media history and technology
Newsreel collective
non-fiction film history
participatory media
political filmmaking
portable video technology
pre-internet activism
self-representation in film
social justice and media
Sony Portapak
UK community filmmaking
VHS and Hi-8 video
video activism
video art
workers' film tradition

Product details

  • ISBN 9781839022234
  • Dimensions: 170 x 216mm
  • Publication Date: 05 Feb 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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The coming of videotape, cheaper and more flexible than film, transformed the production and distribution of moving images, and political activists were among the first to recognise its potential. The Story of British Video Activism is the first book-length account of this vitally innovative but unjustly neglected filmmaking. Ed Webb-Ingall traces the democratising impact of portable video recording technology from the late 1960s to the early 21st century. He introduces pioneering and dynamic videomakers from John ‘Hoppy’ Hopkins to Liberation Films and Ceddo Film and Video Workshop, showing how video played a powerful role in local and national campaigns on issues including housing, labour struggles and racial justice.

This book reveals the grassroots radicalism of generations of video activists who put cameras in the hands of campaigners and marginalised groups to equip them to challenge authority and fight for tangible change. Close-Ups highlight innovative hardware and campaigns from the miners’ strike to AIDS activism. Webb-Ingall shows that the spirit of analogue videotape lives on in today’s digital video activism.

Ed Webb-Ingall is a filmmaker and researcher who works with archival materials and methodologies drawn from community video. He is the co-founder and project director of the London Community Video Archive and a Senior Lecturer at the London College of Communication, University of the Arts London.